This page contains a Flash digital edition of a book.
Antiques Trade Gazette


3 news


Sotheby’s enjoy second best year ever in 2010


■ Gap closes between leading two firms for auction sales


■ Private transactions now make up over 10% of all sales


Ivan Macquisten reports


CONSOLIDATED sales at Sotheby’s for 2010, including buyer’s premium, were up 74% to $4.8bn, putting the firm marginally behind Christie’s, who posted results of £3.3bn ($5bn) last month.


The figure is made up of auction sales,


which saw their biggest increase ever, up 88% to $4.3bn, and private sales, up 5% to $494.5m. Christie’s auction sales rose by a more modest 34% to $4.4bn, the significant gap between the two for 2009 all but closing. It means that private sales, made away


from the glare of the saleroom spotlight, now account for just over 10% of all sales at both Sotheby’s and Christie’s. The latter announced a 39% rise in private sales for the year, giving a sterling total of £369.3m, broadly equivalent to about $560m. It also means that the world’s two


leading auctioneers are now among the world’s leading dealers in terms of turnover. Sotheby’s turnover was $774.3m, with


profits of $161m – the company’s best year after a record 2007. Of the profit, $96.2m came from the fourth quarter. Just as the staggered buyer’s premium


protects the auctioneers’ revenues in a falling market, so it acts as an attractive marketing incentive as prices rise. This certainly appeared to be the case in 2010, when there was a 105% increase in the number of works sold over $1m, the point at which the buyer’s premium rate decreases from 20% to 12%. “The recovery of the global art market,


which was aided in part by the increased buying activity of clients from new markets, certainly contributed to these results, as did the difficult decisions we had to make beginning in the autumn of 2008 – the headcount reduction, tightening of our cost structure and steadfast focus on auction commission margins,” said chief executive Bill Ruprecht. “Our success was achieved with a much lower risk profile than in the previous peak years of 2006 and 2007, as we have been highly selective in our use of auction guarantees and only issued such guarantees in tandem with risk sharing arrangements that very significantly reduced our financial exposure,” he continued. The significant upturn has allowed


Sotheby’s to reduce their debt obligations, and Mr Ruprecht revealed that sales for the first two months of 2011 were already ahead of the equivalent period for 2010. Sotheby’s have not yet published


separate figures relating to their online bidding service Bid Now, which they launched last year. Their rivals’ equivalent, Christie’s Live, is a much more established operation, and Christie’s were keen to highlight that 28% of all their clients now bid via the internet on Christie’s Live, accounting for 11% of all sales at £76m – a rise of 69% on the total taken in 2009. Christie’s also reported that new clients registering to bid rose by 22.7%, with new buyers up 13%.


Greek courts reduce and suspend Hay sentence


THE Greek courts have commuted the sentence of antiquities dealer Malcolm Hay from four years to three, suspended for three years. The move means the end is in


sight after more than a decade of investigation and Mr Hay’s highly controversial conviction for dealing in illegally excavated antiquities. “Any sentence of less


than three years in Greece is automatically suspended if the condemned has a clean record,” explained Mr Hay. “Hence, they chose the road of least resistance.” The five appeal court judges in


Athens had retired on February 18 to consider their verdict, with Mr Hay’s lawyers expressing optimism after having the chance to highlight all the inconsistencies of the case. The judges gave their ruling on February 25. As ATG readers will know from


earlier reports, at the heart of the case was a disputed invoice, giving brief details of a transaction, made out in the sum of £1800 by Mr Hay to Athens antiquities dealer Anna Patrikiadou. He has always argued that it referred to a small box of pot


sherds he sold her when she visited him in London in 1999. She used it to explain a large number of illegally excavated antiquities found on her premises in 2000, valued at hundreds of thousands of pounds, which she claimed Mr Hay had sold to her. Her testimony led to the


Greek courts issuing a European Arrest Warrant demanding the deportation of Mr Hay from the UK, followed by a court case in which Mr Hay was not present and Mrs Patrikiadou’s testimony was accepted wholesale, apparently on little more than her say so. Mr Hay has since argued that


it has been the acceptance of the Patrikiadou testimony as hard fact, despite the lack of any evidence to support it, that has led to a miscarriage of justice. He has also argued that the


European Arrest Warrant process was invalid in his case as even the Greek courts acknowledged that any potential offence on his part would have taken place in London, not Greece. He is now awaiting further


clarification from the court on the decision and its implications. Ivan Macquisten


Venice to benefit from art crime talk


FORMER Scotland Yard Art & Antiques Squad detective Vernon Rapley is one of two speakers at a lecture on art crime at the Royal Geographical Society on April 5. The event, organised by the Venice in Peril fund, will see Noah Charney, the


founding director of the Association for Research into Crimes against Art, talking on The World Wishes To Be Deceived: A Brief History of Art Forgery – Famous forgers and their tricks, while Mr Rapley will speak on Art Forgery Today, a discussion on ‘How and Why’ and understanding the impact of modern forgeries on the market. As an added incentive, ATG readers are being offered a special discount ticket price


of £15 (standard ticket price £20). More details at www.veniceinperil.com


THE 19TH BRITISH ANTIQUE DEALERS’ ASSOCIATION FAIR 23–29 MARCH 2011


DUKE OF YORK SQUARE, OFF SLOANE SQUARE, LONDON SW3 Open: Wed. 11am–9pm; Thurs., Fri. & Mon.11am–8pm; Sat., Sun. & Tues.11am–6pm


For further information: bada-antiques-fair.co.uk Bookings for the Cellini Restaurant: 01233 662166 THE F INES T ART & ANTIQ U ES F O R S ALE


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96