This page contains a Flash digital edition of a book.
Stage Lighting


Ballantyne and Liam Boylan.” UK rockers Kasabian headlined Friday night of the 2013 Teenage Cancer Trust (TCT) event. Kasabian’s lighting designer Nick Gray


from creative design practice Renegade decided to go ‘all-out’ to ensure that their show looked distinctive and memorable, with the installation of a floor based ‘specials’ package of over 90 lighting fixtures!


“Basically I took the entire lighting rig


from two warm-up dates in Doncaster and Plymouth … and added it to the festival style ‘house’ rig being supplied by PRG for the TCT shows” explains Gray. He wanted to make a serious impact for


TCT, “It’s a high profile gig and I reckoned the show visuals should be imprinted on people’s retinas and memories of a great week of performance and entertainment!” Kasabian’s additional lighting package was supplied by Neg Earth. The key to getting these large quantities of extra lights onstage in a minimal amount of time has been honed by Gray over the last two festival seasons. He utilises a custom creation based on


low profile rolling HUD trusses (made by Tyler Truss Systems Inc.) which are rectangular in shape and wider than they are deep. He then attached up to three 8ft high scaff pipes to the back rail. The trusses are used on their sides and fitted with legs on casters which are variable in height between 8 inches and a


24


metre. This allows them to be different heights for extra dynamics and easily rolled onstage for practicality. Using this method, he can deploy


around 70 lights onstage which can be plugged up in about ten to fifteen minute. Gray’s standard 8ft long HUD truss section is rigged with three large moving lights. In this case Martin MAC Vipers are ratchet strapped to the top, with a row of Martin MAC 101s along with front rail. On the 8ft scaff pipes at the back were a selection of Clay Paky Sharpies, strobes and blinders. Five of these rolling Hud trusses were made up for the TCT show. Additionally Gray positioned six groups


of three Sharpies around the ledges at the back of the RAH choir stalls, interspersed with Atomic strobes, plus a load of MAC 700 profile moving lights further downstage. The results were stunning. The lighting was programmed by Gray and Paul Kell using a Hog 3 console operated for the show by Kell, who is one of Renegade’s regular crew.


On site, they worked closely with Dave


Farmer, PRG’s ‘house’ LD for the week who co-ordinated everything from their end that involved using the standard festival style lighting rig installed for the TCT event. From stages to sets, Belgium based


creative visual design practice, Painting With Light (PWL), designed lighting and the set for the recent Dutch and Belgian


www.a1lightingmagazine.com


Blue framed images: Courtesy of Painting With Light. Images taken by Ade Johnson. Yellow framed images: Courtesy of Clay Paky


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84