This page contains a Flash digital edition of a book.
E C O FAS HION


LIVIN G & LE ARNING


Bringing the suit out of its corporate shadow


A fledgling fashion company aims to make the suit — traditionally seen as a male power symbol — accessible and wearable to everyone. Nineteen-year-old Billy Stafford talks about what sets his business, Olive Way, apart.


by Billy Stafford


deserves the opportunity to wear a beautiful tailor-made suit, without having to break their bank for it. In 2016 only 15.4% of worldwide CEO positions were held by women; an atrocious statistic. Even more alarmingly, only one CEO out of the 500 biggest corporations in the world identifies as a woman of colour – that is 0.2%. It’s easy to understand now why the suit may act as a representation of power and influence. It is in suits that deals are made, fates are sealed and decisions trickle downwards.


O


ur message is clear: we want every single person, regardless of gender, sexual orientation,


or race, to experience what it’s like to feel empowered and extraordinary. While 'fashion' could be a rather material subject to some, we think that presentation and perception play an incredible part in influencing people’s actions and interpretations of the world. The suit is a symbol — by making


this symbol accessible and wearable to everyone, we take one step forward towards a future based on merit, not categorisation. In a realm where no idea is original,


and someone out there is always more proficient, we rely on our passion to create the difference that sets us apart. We have four key messages that are fundamental to our business:


1. Bring the suit out of its corporate shadow, and cast it in a new light We want to remove suits from the heavily Anglo, masculine, and corporate scene, and bring them to a whole range of people. From the LGBTQI+ community, to people of colour, to women and men alike, everyone


32 JUG AR 2016 AANUSTY/FEBRUARY 2017


2. Let’s talk about sex If we want to make the suit available to everyone, we have to de-gender it. We’re paving a path of fashion-forward, androgynous, and inter-sex clothing for an entire generation. We are all born essentially the same, as blank canvases. All gender identity is imitative and constructed, none of it true or natural – what we choose to do with our bodies is fundamentally performance art. People’s ability to express themselves


and their identity should not be limited to the clothes they choose to put on their back.


3. Stop killing the planet The days of corporations sucking the earth dry of its resources to make profit are over — at least for the new wave of businesses. All our materials are sourced from Australia, and then manufactured in Udaipur, India, through a third-generation tailoring family. At no point in our process line do we use ‘cheap labour’.


4. Collaboration is key Starting this business has been an incredible opportunity to work with up-and-coming youth (such as this range of amazing models). Collaboration is extremely important to us, as it allows us to work with like-minded groups and individuals. The way that new and upcoming business can thrive and survive in 2016 and onwards is if they’re doing good for the world. n


In this photo-shoot we worked with XV Photography, Kinki Gerlinki Clothing, and makeup artist Emma Schnell.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80