Erasure is making a triumphant return to dance ter-
ritory with their newly-released CD, The Violet Flame. I asked Bell during a recent email exchange whether this was intentional. “It was totally intentional,” he replied. “Vince and I wanted to make a dance album. It was written on synth instead of guitar and piano in sunny Miami, which I think rubbed off on us.” From the opening track, “Dead of Night,” to its slightly more subdued finale, “Stayed a Little Late Tonight,” the duo’s 16th studio album is chock full of high- energy greatness. Bell was coy when I pressed
him for intel about their upcom- ing shows, but he did allow this tidbit, “My costume is Disco Dickensian.” He was more forthcoming when asked about his and Vince’s obvi- ously successful songwriting process. “Vince will play through a series of chord progressions and I will ad lib top lines to these chords,” Bell shared. “Vince will arrange what we have and then creates a demo. I will re-sing the completed song then go away to work on the lyrics. It is usually a mixture of fantasy-based reality.” Since the two burst upon the pop music scene back
in 1985, Erasure has produced numerous Top 40 hit singles in their native U.K. and the U.S., and has sold over 25 million albums worldwide. The duo’s title is rumored to have been inspired by a sound technician who accidentally wrote “erasure” on the demo tape of what would become their debut single, “Who Needs Love Like That.” Bell has been openly gay throughout his and
Clarke’s three-decade partnership. Bell has been outspoken in support of LGBT rights and marriage equality. I asked him how he felt about the growing legal acceptance of same-sex marriage in the U.S., something neither of us imagined would happen so quickly when I last interviewed Bell in late 2012. “It just goes to show that public opinion is usu- ally swaths ahead of the government,” he wrote. “And those that are unwilling to get real and participate need a good shove.” In recent years, several of Erasure’s contemporaries
from the 1980s have written stage musicals. These include Cyndi Lauper (Kinky Boots), Pet Shop Boys (Closer to Heaven), Dave Stewart of Eurythmics (Ghost the Musical) and, most recently, Sting (The Last Ship), scheduled to premiere on Broadway this season. What would be the chances of seeing Erasure on the Great White Way some day? “I would love to do some kind of musical theatre collaboration but the road is very hard,” Bell replied. Perhaps he was thinking first
“Vince and I wanted to make a dance album. It was written on synth instead of guitar and piano in sunny Miami, which I think rubbed off on us.”
and foremost of U2’s famously problem-plagued journey getting Spider-Man: Turn Off the Dark to the stage. Still, that show proved to be a hit in New York and a Las Vegas edition is reportedly in the works. The Violet Flame arrives ten months after Erasure’s
last, surprising album. 2013’s Snow Globe was a sometimes joyous, sometimes cynical tribute to the holiday season. It combined electronic rendi- tions of such Christmas classics as “Silent Night,” “It Came Upon a Midnight Clear” and “Silver Bells” with darker original tunes entitled “Blood on the Snow” and “There’ll Be No Tomorrow.” Bell and Clarke even produced some charming Claymation-inspired videos for some of the songs a la TV’s Rudolph the Red-Nosed Reindeer and Santa Claus is Coming to Town. Bell stated there are no plans “as of yet” for a follow
up to Snow Globe despite my argument that there are so many traditional Christmas songs out there begging for the Erasure treatment. “Maybe we’ll do an Easter record!” he teased. It’s especially inspiring to see Bell and Clarke return
to full-out dance mode on The Violet Flame since Bell has weathered some serious challenges in recent years. His longtime partner, Paul Hickey, passed away
in 2012. “I am fine but (the loss) never goes away, especially when I am travelling for some reason,” Bell reports. He has also found new love with Stephen (last name unknown), whom Bell credits with helping to inspire the new CD. He also continues to live with HIV as well as avascu-
lar necrosis, an unrelated but debilitating condition. Bell has had to have both of his hips replaced, which is why he is no longer able to go “pogoing around” on stage as he regularly did during previous Erasure performances. Looking to the future, Bell is excited about Erasure’s
current tour, the upcoming holiday season and “hopefully finishing” a long-in-the-works album with DJ/remix king Dave Aude. I expect Erasure’s flame will continue to burn brightly.
Erasure is currently on an international tour in celebration of The Violet Flame and will be making several stops in Southern California this month. Dates include an appearance at Humphreys Concerts by the Bay in San Diego on Wednesday, October 22 and in Los Angeles at the Hollywood Palladium on Friday and Saturday, October 24 and 25. For full tour details and to purchase tickets go to
erasureinfo.com.
OCTOBER 2014 | RAGE monthly 39
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80