This page contains a Flash digital edition of a book.
Davis, M. (1994). Folk music psychology. The Psychologist, 7, 537.


Hallam, S., & Prince, V. (2003). Conceptions of musical ability. Research Studies in Music Education, 20, 2–22.


Lamont, A. (2002). Musical identities and the school envi- ronment. In R. A. R. MacDonald, D. J. Hargreaves, & D. Miell (Eds.), Musical identities (pp. 41–59). Ox- ford: Oxford University Press.


Rosenthal, R., & Jacobson, L. (1968). Pygmalion in the classroom: New York: Holt, Rinehart and Winston, Inc. Ruddock, E. (2012). “Sort of in your blood”: Inherent musi- cality survives cultural judgement. Research Studies in Music Education, 34(2), 207–221.


Ruddock, E., & Leong, S. (2005). “I am unmusical!”: The verdict of self-judgement. International Journal of Music Education, 23, 9–22.


Shouldice, H. N. (2009). A mixed methods investigation of K-12 music teacher beliefs and their relationship to teaching practice (Master’s thesis). University of Michigan.


Shouldice, H. N. (2012). Untitled MUS 965 Study. Sloboda, J. A., Davidson, J. W., & Howe, M. J. A. (1994). Is everyone musical? The Psychologist, 7, 349–354.


Vartuli, S. (2005). Beliefs: The heart of teaching. Young


Children, 60(5), 76–86.


Whidden, C. (2008). The injustice of singer/non-singer la- bels by music educators. GEMS-Gender, Education, Music & Society, 4 www.queensu.ca/music/links/ gems/whidden5.pdf


Whidden, C. (2010). Hearing the voice of non-singers: Cul- ture, context, and connection. In L. K. Thompson & M. R. Campbell (Eds.), Issues of identity in music educa- tion: narratives and practices (pp. 83–107). Charlotte, NC: Information Age Publishing.


Heather N. Shouldice, Assistant Professor of Music Educa- tion at Eastern Michigan University, teaches undergraduate and graduate courses in music education and supervises stu- dent teachers. Prior to her appointment at EMU, Shouldice was a doctoral teaching assistant at Michigan State Univer- sity, where she taught introduction to music education and elementary music methods courses. While at MSU, she was a recipient of MSU’s prestigious Excellence-in-Teaching Ci- tation and also was awarded a Leadership Endowment Fel- lowship from the MSU Council of Graduate Students and a Dissertation Completion Fellowship from the MSU Gradu- ate School.


We seek articles on special focus topics and other ar- ticles as they relate to broader areas of music teaching and learning. The editorial board urges readers to sub- mit articles pertaining to these topics and encourages this important professional development activity for all members. Articles may be authored or co-authored, address other relevant topics/areas (see columns listed below), and may be considered at any time. Submitted articles will be peer-reviewed by the editor and edito- rial board members with editing and production in pro- cess for 5 to 6 months ahead of the publication date. See the published Guidelines for Contributors for further information.


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Higher Education (SMTE) General Music (SGM) Choral Musings


Instrumental Corner Lesson Plan Corner


Articles may be submitted electronically to the ExecutiveDirector: Cory Micheel-Mays, cmicheelmays@sbcglobal.net


Editorial Board


Phillip Hash Collegiate


Sam McIlhagga


Book & Media Reviews Marie McCarthy


Band Adam Kruse


Strings/Orchestra Val Palmieri


Choral Abby Butler


General Music Heather Shouldice


Higher Education (SMTE) Colleen Conway


16


MMEA Editorial Board Positions Research


Technology Ken Smith


EarlyChildhood (SGM) (see General Music)


Adult Learners Joe Labuta


Policy/Advocacy


Ryan Shaw(guest editor) Social Justice/Diversity


Barbara O’Hagin Composition


Cynthia Page-Bogen Jazz


Keith Hall


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