This page contains a Flash digital edition of a book.
COMMENT


the dexterity displayed on the dance fl oor by some of


the most unlikely characters. Mind Reel trouble


It’s that time of year again, when our columnist lives in fear of the onset of Scottish Country Dancing WORDS ALAN COCHRANE ILLUSTRATION STEPHEN DAY


W


ith the festive period now upon us the pros pect of many parties hoves happily into view. The county ball


season may be over but Christmas and New Year normally provide ample opportunities to take the fl oor, albeit in a less structured way. This is altogether to my liking as, while I can


see the attractions of those formal events, I’m bound to say that I’d rather do my dancing in the evening rather than in the wee sma’ hours. One friend, who is forced under protest to attend balls, steadfastly refuses to dance and instead makes free with the liquid refreshment on offer, and calls such occasions ‘drinking to music’. The other reason for my lack of enthusiasm is


a bit more obvious. I’m not exactly a dab hand at the ‘proper’ reels and the only time I’ve managed to get through a ball without making a complete idiot of myself was when I was taken fi rmly in hand by Jan, a general’s wife, and ‘made’ to do the bloody things the way they’re supposed to be done. My wife, who came to reeling much more recently, is an absolute afi cionado now but the only way she can get through a whole ball is by never, ever dancing with me. No, I’m a lot happier with the more easy-


going, impromptu events that can spring up in the countryside, in village halls or in larger rooms when the carpets are rolled back. The latter are what I did when I lived in the south of England when, of course, nobody really knew the dances and I could pretend, without fear of contradiction, to be an expert. This


is not standards away county


to say that collapse


entirely in the reeling stakes the


from ball


scene; not at all. I am always astonished


at 32 WWW.SCOTTISHFIELD.CO.UK


you, I do object most strongly to showing off. And if you do fi nd someone of that ilk in your company, you can safely bet a tenner that he’s a soldier. Two of my acquaintances with the most blatant exhibitionist tendencies when it comes to reeling are both retired half-colonels from Highland regiments. Jealous? Me? But of course there is Scottish Country


Dancing, as practised at the county balls, and the version sometimes seen elsewhere. In some parts of the West Highlands, for instance, there is a sort of inverse snobbery in existence, with some locals insisting that they’ll have nothing to do with ‘dances made up by the gentry’, such as The Reel of the 51st. Me? I think that’s a fantastic dance; if only I could master it without the general’s wife to push me around. Interestingly, a recent Caledonian University


study by Glasgow suggests


there are FIELD ONLINE


WHAT ARE YOUR THOUGHTS?


COMMENT ON OUR FACEBOOK PAGE OR TWITTER AT WWW. SCOTTISHFIELD. CO.UK


ALAN COCHRANE IS THE DAILY TELEGRAPH’S SCOTTISH EDITOR


verifi able benefi ts from such dancing, and that the pas de bas step – an absolute necessity for reeling – actually aids good health. Apparently, in doing that step dancers put 1.94 times their total body weight through their lower limbs, exertion which greatly reduces the chance of the seriously debilitating condition of osteoporosis. They reached this conclusion by experimenting on dancers from Loch winnoch and Milngavie but whether their fi ndings only apply to people from those localities, I cannot tell. I know nothing of Lochwinnoch but from my observations of residents of Milngavie I am certain that they are by no means ‘average’, nor, given the conceit they have of themselves, would they wish to be seen as such. As with all scientifi c surveys we have little


option except to accept their fi ndings, although I know of at least one example where country dancing proved positively dangerous. A friend, who normally excels on the dance fl oor, suffered serious


cruciate ligament damage during a


foursome reel and was laid up for months. I cannot fi nish


an article on Scottish


Country Dancing without paying fulsome tribute to the ‘master’. I refer, of course, to Robbie Shepherd. His ‘Take the Floor’ and ‘Reel Blend’ programmes are the absolute jewels of BBC Radio Scotland’s schedule. And while the Pacifi c Quay bosses may have annoyed many by axing the Beechgrove Garden


they


wouldn’t dare lay a hand on Robbie.


If they did, they wouldn’t know what hit them!


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202  |  Page 203  |  Page 204  |  Page 205  |  Page 206  |  Page 207  |  Page 208  |  Page 209  |  Page 210  |  Page 211  |  Page 212