Sarah Vo’s work has an element of magic to it – something that her course at Leeds College of Art may have taught her but it’s more likely to be down to her amazing imagination.


WOLF sits down with the young Vietnamese photographer whose ethereal pictures transport you to far-off world full of promise...


What was your upbringing and childhood like? Did you always see yourself as a creative person? I grew up with my Great aunt - she didn’t speak a word of English. It was a very Viet- namese household so I learnt to speak fluent Vietnamese from a very young age. I would live with her during the weekdays and my father during the weekends. Like any child I loved scribbling on walls with crayons but I didn’t really study art or photography


until later in life. I’ve always had an obsession with collecting silly little things like buttons, pennies from around the world or stickers. Only after picking up a camera I had a new obsession with setting up scenes.


How would you describe what you do? A lot of the time I carry a small 35mm cam- era that I use to take photos of my everyday life. I then begin to tear them apart and start to plan out beautiful fashioned/staged ver-


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sions of these 35mm stories or events. A lot of my work is influenced by my every- day life. They are the stories and memories I like to share with people.


What has been the most enjoyable work you’ve produced to date, and why? The project I am currently working on is about the death of my Grandpa in Vietnam. I recently went to Vietnam for 6 weeks where I photographed his last days alive,


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