This page contains a Flash digital edition of a book.
(clockwise from above) Dancer, by Marg Moll, declared “degenerate” art by the Nazi regime, was redis- covered in Berlin. Henri Matisse’s Bathers With a Turtle was stolen from a German museum by Nazis in the 1930s. Soldiers of the 7th Army unearthed looted jewelry, ornaments, and snuffboxes hidden by the Nazis. (facing page) An 1836 painting (top left) depicts Napoleon Bonaparte, who famously stole the Horses of San Marco (bottom left). (top right) Adolf Hitler, right, examines a painting his regime considered degenerate. A pro- cession (bottom right) marks “The Day of German Art.”


the time of Napoleon’s exile to Saint Helena in 1815, the Louvre and other state-run museums were bursting at the seams with ill-gotten booty. Decades after Napoleon’s reign came to an end, a child was born in a small Austrian town who eventu- ally would make the Little General’s plundering look like the work of an amateur. When he was a boy, Adolf Hitler’s parents moved to Linz, Aus- tria, where he began dabbling in art and became convinced he possessed great talent. In 1907, a young Hitler left home for Vienna, where he took


IMAGES: ABOVE RIGHT AND ABOVE LEFT, CORBIS; TOP RIGHT, GETTY IMAGES


the exam to enter the Akademie der bildenden Künste Wien (Academy of Fine Arts Vienna). The panel of judges rejected him twice, however, and when he discovered four out of seven of the panelists were Jewish, his anger set him on a path that would change the world. Whether 20th-century history might have differed had Hitler been admitted to the academy can only be speculated. But by the mid-1930s, he already had stripped German Jews of their citizenship, seizing their art- work and other possessions, and had


JUNE 2012 MILITARY OFFICER 59


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88