FlUSHED
A shot in the dark. PHOTO: TYLER FOX
NIGHT MOVES
It’s early March and snow is still blanketing the hills of West Virginia. My friend Paula and I rush out of Morgan- town like college students on Spring Break, thirsty for the river and freedom. My last meeting of the day ran late and despite my frantic attempts to leave early, we’re behind schedule.
It’s mid-afternoon when we reach Rockville
Bridge put-in and drop boats and gear under the barbwire fence by the road. Heater blasting, we bump along rocky dirt roads past
farms and barking dogs to the take-out at the confluence of the mighty Cheat and Big Sandy rivers. We pull running shoes over thick socks for the steep two-and-a-half-mile climb out of the gorge. Once at the top we gain momentum for the remaining three miles back to our stowed boats. It’s 5:00 p.m. when we finally slip into our creek boats
on the red sandy shore under the Rockville Bridge. We are both thinking what we are not saying: It’s getting late, maybe we should call this off. The gray sky is tinged with dusk when we push off from shore. We’re paddling hard and fast from the start, negotiating Entrance, Wonder, Zoom Flume and Little Splat without many words—push- ing hard to get through the bigger rapids in daylight. We finish the portage around Big Splat in cold, numbing dark- ness. The wave trains and boulder gardens below Splat are
class III but in darkness they become treacherous and unrecognizable. I bounce off rocks and swing backwards into more rocks. We hug the shoreline, using the calm eddies behind boulders whenever possible. We call out directions above the river’s roar in an effort to stay close without sight. Blindly, I am swept into an almost fully submerged tree
hung between two rocks. For what seems like minutes, I am in a full embrace with the tree—hugging its coarse bark with every ounce of strength. I am rocked in a danger- ous slow dance with the water’s surges—my boat rhyth- mically rising and sucking down in the current beneath the sweeper. I reach for my skirt. My boat and paddle are swept downstream and I am left clinging to the wet trunk, yelling back into the night, “TREE, TREE, TREE!” We walk from then on, stumbling along rock- and root-
laden shorelines—falling, swimming and crawling into darkness. Impossibly, the night grows still blacker and colder. First Island Rapid leaps out from the darkness. We
stand on the flat rocks on river left and can almost see whitewater crashing down the right channel. Finally, we’re near the end. Our spirits renewed, we scale the steep hill- side to find an old logging road leading downstream. Trudging along the rugged trail, beyond physical ex-
haustion, I beat myself up. Why didn’t we start earlier, call it off at the put-in, hike
out at Big Splat? Why did we let ego and desire trump good judgment and respect for the river? It’s close to midnight when we see a flash of light and
hear the distant voices of the search party. —Lila Marie Menzies
46 RAPID SUMMER/FALL 2011
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