The title for this artisan tale is from Sue Seeger’s sensuous piece below. I many layers of her work. To start, I can imagine steel as being a hard nu curves you might never expect coming from that humble seed. Secondly, admits is far more frequently a “guy thing” - but she’s been told she brin movement in her pieces. And lastly, we see the artist growing into her ow practical applications of her talent (furniture) and instead embracing t


Here’s how Sue descri


“I came to sculpture a very unlikely path. I w furniture industry, do and advertising work of management. I bec furniture design, and in steel. I went to wel that so I could fabrica designs, and sort of s a sculpture one day ju A switch was flipped i wasn’t anything else that point on. I never or even really looked else was doing, it’s alw about getting the ima physical form, and wo objects and the mater


“Ironically, it was a w it (it went very, very hours tops) I rememb


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