search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
NEW FROM PROPER MUSIC LISA O’NEILL


HEARD A LONG GONE SONG RIVER LEA


Heard A Long Gone Song is Lisa’s first album for Rough Trade imprint River Lea and is a collection of traditional material interspersed with her own. The sense of ownership Lisa imbues in these old songs, coupled with the immutability of her chosen subjects makes it hard to tell which is which. These are folk songs in the original sense of the word. Guardian folk album of the year 2018.


KAIA KATER


GRENADES SMITHSONIAN FOLKWAYS


Kaia Kater rises to bold new heights of creative expression on Grenades. Kater composes an odyssey about personal identity, memory, drawing upon her diverse influences in Quebec, the Caribbean, and Appalachia, and her bi-cultural experience as a second generation Grenadian-Canadian. ON TOUR: kaiakater.com/shows


BRIGHDE CHAIMBEUL


THE REELING RIVER LEA


Her name is pronounced Bree-CHU (as in “church”) Campbell. Some of these tunes she has known since she was little and some are new to her, previously unrecorded and sourced from collections of old manuscripts and archive recordings. Inspired by the deep-rooted connection between piping, Gaelic song and canntaireachd, and the global connections of piping and the folk who sing and play to tell stories. Recorded live without overdubs in the historic East Church in Cromarty, on the Black Isle.


OUR NATIVE DAUGHTERS


SONGS OF OUR NATIVE DAUGHTERS SMITHSONIAN FOLKWAYS


Songs Of Our Native Daughters features kindred banjo- players Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell. Their music shines new light on African-American women’s stories of struggle, resistance, and hope, as well as confronting sanitized views about America’s history of slavery, racism, and misogyny.


YE VAGABONDS


THE HARE’S LAMENT RIVER LEA


The Hare’s Lament is an album of traditional songs by brothers Brían and Diarmuid Mac Gloinn learned from some of the greats of Irish music. Taken from precious archive recordings of a grandfather they never met; the unique collection of singer Róise na nAmhrán of Arranmore Island in Donegal (their mother’s birthplace), as well as contemporaries in the singing communities around Dublin, of which Ye Vagabonds are a valued part.


ALLISON DE GROOT & TATIANA HARGREAVES ALLISON DE GROOT &


TATIANA HARGREAVES FREE DIRT RECORDS


Allison de Groot & Tatiana Hargreaves’s self-titled debut album is a powerful opening statement. At once adventurous, masterful, and original, as they expand on the eccentricities of these old songs, while never losing sight of what makes them endure.


“Two of the foremost old-time virtuosos on the scene today” — THE BLUEGRASS SITUATION


ESTER FORMOSA & ELVA LUTZA


CANCIONERO FELMAY


Elva Lutza are one of the most interesting bands in Sardinian music: winner of the Andrea Parodi Award, they play an unusual mix of tradition, jazz improvisation and art song. On Cancionero they are joined by Ester Formosa, one of the great interpreters of Catalan music, performing a collection of songs in Sardinian and Catalan, originals, Latin folklore and Sephardic gems. Just voice, guitar and trumpet for a magic atmosphere.


MAT CALLAHAN & YVONNE MOORE WORKING-CLASS HEROES:


A HISTORY OF STRUGGLE IN SONG FREE DIRT RECORDS


The most essential music is conceived by everyday humans. This is the story of Working-Class Heroes, a collection of American working class songs revived by Mat Callahan & Yvonne Moore. Recorded in a mostly stripped-down style, it’s an immersive experience, brimming with hard-truth insights still resonant today.


MICHAEL JEROME BROWNE


THAT’S WHERE IT’S AT! BOREALIS


That’s Where It’s At! is Michael Jerome Browne’s latest collection, focusing on soul music through the lens of a traditional blues player. Michael’s exceptional guitar playing and warm, unaffected vocals are front and centre, accompanied only by some very fine vocals from Eric Bibb, Harrison Kennedy and Roxanne Potvin.


ERIC BRACE PETER COOPER THOMM JUTZ


RIVERLAND RED BEET RECORDS


Brace, Cooper & Jutz have crafted a gorgeous acoustic homage to the Mississippi River, its complicated history, its majestic sweep, its people, and the music that comes from its powerful stories. Thirteen original tunes and one powerful cover, Riverland is a moving and inspiring collection.


LE VENT DU NORD


TERRITORIES BOREALIS


Sophisticated arrangements and unparalleled musicality, abound on Territoires.


“Le Vent du Nord must melt the snow in their native Quebec. Led by twin fiddles and hurdy-gurdy, driven by incessantly rattling foot percussion, the quintet’s unbridled energy rarely let up.” — Jim Gilchrist, THE SCOTSMAN


KATHRYN TICKELL


HOLLOWBONE MAGNETIC NORTH EAST


Hollowbone is a striking album, a new departure for Kathryn and featuring 11 tracks in which fresh modern sounds merge with ancient influences to create expansive sonic textures.


WWW.PROPERDISTRIBUTION.COM


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148