search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
33 f


Kalia Lyraki


Web site: donkipper.com Booking: info@donkipper.com Watch: youtu.be/Qshjj7eWOYs


From London, Senegal and The Gam- bia, the irresistible Fofoulah are sonically shaped and lifted by the galvanising rhythms of the sabar drums, in a “cos- mopolitan mélange” incorporating elec- tronic music, dubby bass lines, trance grooves, improvisation and Afro-rock, all fronted by charismatic front man Batch Gueye, a dancer and singer rooted in the Senegalese Baye Fall religious tradition (and former dancer with likes of Youssou N’Dour!). As fRoots said of their debut Glit- terbeat CD: “Really intelligent, infectious and effective … It’s subtle, beckoning with its toes in the ancestral mud, but this is modern music, intriguing, well-textured and very likeable.” Also features Dave Smith, notable as the drummer with Robert Plant’s band.


Web site: fofoulah.com


Booking: davesmithdrums@gmail.com Watch: youtu.be/PSdDILmbvSY


And it’s worth reminding ourselves of


the very fine Krar Collective, whose rootsy, energetic interpretations of a variety of Ethiopian traditional styles is almost impos- sible not to dance to. With the electric lyre as centrepiece, and driving percussion and vocals, the small trio ensemble have a big sound. Traditionally dressed, the band can also feature four dancers for larger stages. The band often offer a dance workshop before their shows, teaching the basic moves to three or four songs, so that audi- ences can join in.


Web site: http://krarcollective.com Booking: info@kazum.co.uk


Watch: boilerroom.tv/recording/krar-collec- tive/#/video


Looking for a quality listening experience?


Kalia Lyraki is a singer, songwriter and song-collector performing contemporary music of Crete based on women’s songs, often, according to her, “overshadowed by


Valentina


the macho lyra-driven music that has domi- nated the island until now”. Her sound is a blend of joyful wedding dances and soulful laments, rich in mandinada poetry, intricate melodies and archaic rhythms. In her quin- tet, Kalia sings and plays nay, mandoura pipes, thiaboli recorders and daoulaki drum, alongside the lyra and mandolin (Vassilis Chatzimakris), electric laouto (Nikos Ziarkas), double bass (Theodoris Ziarkas) and drums and percussion (Vasilis Sarikis). With addi- tional looped layers, amplified instruments and a driving drum and bass, the set works well on big stages, or, as a quartet, can be adjusted to an acoustic set for small stages. Teaching is an integral part of Kalia’s musical projects, frequently giving workshops to children and adults in the music and songs of the Eastern Mediterranean and Middle East as well as directing the community choir Fones – London Greek Voices.


Web site: kaliamusic.com Booking: info@kaliamusic.com Watch: youtu.be/k0sUqKz1-oI


Edinburgh residents Valentina &


Voces del Sur was formed by Valentina Montoya Martínez, Chile’s leading female singer and songwriter in the UK, and Scot- tish guitarist David Russell. The four-piece band fronted by Valentina (also known through her work with McFall’s Chamber) features lead guitar/tiple, rhythm guitar, double bass and acoustic percussion on poignant songs inspired by the singer’s pas- sion for the musical traditions of her country of birth. The second part of an oral history project about Valentina’s experience of exile, Daughter Of Exile, is due for release in spring 2017.


Web site: vocesdelsur.co.uk Booking: via vocesdelsur.co.uk Watch: youtu.be/-LA7ewu4Bpc


World Music Network’s label winner of Battle Of The Bands in 2016 (with a debut album scheduled for this year) is Ethiopian artist Haymanot Tesfa, an extraordinary Amharic singer and krar player. Performing solo or with an ever-changing trio, often Mina Salama on ney, kawala and oud and Arian Sadr on tonbak, cajon, daf frame


drum, Tesfa offers intense, compelling inti- mate shows.


facebook.com/haymanottesfamusic/ Booking: info@konimusic.co.uk Watch: vimeo.com/125259550


One of our early fRoots front cover


stars, singer Najma Akhtar is still going strong – her latest Five Rivers project an exploration of the shared reference points between the Indian tradition of Ghazal and that of the lyric poets of the west, with musical arrangements drawing in delta blues, jazz, western folk music, North African ‘desert blues’ and her own Indian heritage.


Web site: http://najmaakhtar.com/ Booking: mcole7591@aol.com Watch: youtu.be/BMjGeiRZuVY


Exquisite Bulgarian folk a cappella


group The Perunika Trio are well-known to fRoots readers, but currently Eugenia Georgieva is the only UK-based artist in the trio. She continues to be a prolific performer, including work with Yantra, combining spiritual and folk music from Bulgaria, India and England, and her own band. Eugenia’s band perform Bulgarian folk music arranged for solo voice and traditional instruments – kaval (shepherd’s flute), tam- boura, gadulka (Bulgarian fiddle) and dou- ble bass “and everyone sings!”


Web sites: eugeniageorgieva.com perunikatrio.com


Booking: eugenia.georgieva@gmail.com Watch Yantra: youtu.be/FlEjMoLFwAI Perunika Trio: youtu.be/vLvBsLYeNeQ


Los Desterrados perform the tradi- tional music of the Sephardic Jews, Spanish flamenco, fiery Gypsy melodies and North African rhythms infused with modern influ- ences, plus a healthy dose of London atti- tude. Their songs all come from the Judeo- Spanish musical tradition with each member of the band bringing their own musical inspirations to the mix in a lively set which tugs heartstrings with tales of unrequited love, and tugs at the hips as they dance a Jewish wedding.


Photo: Tonia Koinaki


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84