search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
Design


All the best bits L


ike every new model we produce, throughout the design and build process we spend a great deal of time looking at data, drawings and renderings and the Swan


108 was no exception. But when she came out of the mould for the first time we knew we had something special,’ says Nautor Group CEO Giovanni Pomati. It is difficult to think of a time when the


Finnish builders haven’t been busy, but in recent years and despite the recent global challenges, the rate of production has ramped up with new models streaming into a comprehensive range that is constantly evolving. Naturally, evolution is no accident for a company that has been producing luxury offshore yachts for 57 years, neither is their reputation for leading by example. But the need to produce elegant yachts has been an underlying constant as well throughout this time. ‘As a company we are obsessed with


being as modern as possible,’ continues Pomati. ‘Along with our reputation for producing beautiful yachts, which we clearly want to maintain, it’s a fast-moving world and looking old is not an option. Elegance is in Swan’s DNA and when it came to creating the 108 one of our primary goals was to produce the most beautiful blue water maxi Swan to date.’ An ambitious goal perhaps, but with the


‘When the 108 came out of the mould we knew we had something special’


success of the Swan 98, 115 and 120 the company had the enviable advantage of considerable experience in this area. The superyacht arena has been particularly successful for Nautor and this provided a key datum for their


thinking when they were creating the 108. ‘Each of the boats in the group played


an important part in the development of the 108,’ Pomati continues. ‘Aside from being a great looking boat and a good performer, the 98 brought Swan back into the superyacht world with maxis that were not aimed solely at racing but were


Elegance is a major preoccupation for the top brass at Nautor and when they began to design their new flagship Swan 108, one of the project’s primary objectives was to produce the most beautiful maxi Swan to date


focused on performance cruising. ‘The four 115s that we built made it


clear that it was possible to combine all of our previous experience with custom construction as they represented different approaches. Two of them, Solleone and Shamanna, were cruising yachts and represent milestones for Swan, while the other two, Highland Fling and Odin, were successful racing boats. ‘So, what we learned from the 115s


and the 98s was that it was possible to take some of the key production elements and combine them with a custom build. This saved a great deal of time and expense and yet still allowed busy and active owners to take delivery of their perfect boat without the extra costs, complexity and longer time frames that are sometimes involved in a fully custom boat. ‘That was one of our starting points for the 108, another was to create a completely new and up-to-date hull shape.’ With these two key goals in mind and


given that appearance was high on the list, it was perhaps inevitable that one of


SEAHORSE 77 �


DAN ERIK


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120