search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
Howes Percival


AI in advertising can create buzz - and commercial risk


Generative AI is moving rapidly from creative experiment to everyday marketing tool. It can help brands produce content faster, personalise campaigns at scale and reduce production costs. But it is also creating a new category of commercial risk, particularly where adver- tising uses recognisable faces, voices or styles without proper permission. For a business audience, that is the real issue. T is


is not just a question of legal theory. It is about brand trust, consumer confi dence, reputational damage and the cost of getting a campaign wrong. Used well, AI can make advertising more eff ective. Used badly, it can trigger complaints, takedowns and unwanted headlines. Whilst not related to the use of AI, in 2024 the


Advertising Standards Authority banned paid-for ads by Simmer after edited footage made it look as though Sara Davies and Deborah Meaden from Dragons’ Den were endorsing its ready meals. T e regulator found the ads


Stephen Ruse Director


Commercial, Technology & IP Howes Percival


misleading because consumers were likely to think the endorsement was genuine. It was a clear reminder that short-term attention can quickly become a compliance and reputation problem. T ere are also examples from outside advertising that


still matter to marketers. T e viral AI song Heart On My Sleeve, which mimicked the voices of Drake and The Weeknd, was pulled from major platforms after attracting huge attention. More recently, OpenAI paused one of its chatbot voices after complaints that it sounded too similar to Scarlett Johansson. Both stories underline the same commercial point: voice and likeness now carry real economic value, and audiences are increasingly alert to how they are used.


Why this matters commercially T e commercial reality is straightforward. If an advert suggests a celebrity, creator or public fi gure supports a product when they do not, the fallout can be expensive. A business may face regulatory scrutiny, platform take- downs, wasted media spend, strained talent relationships and damage to customer trust. Even where a claim does not end up in court, the


disruption alone can outweigh any savings gained from using AI.


ALL THINGS BUSINESS | 18


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60