COLLECTION STORIES
Ties that Bind BY ANNE BOLEN W
alter Lamar was stunned when he heard that a cradle- board made by his great-grandmother Hush se ah was
in the National Museum of the American Indian collection. His great-grandmother was his first memory, and he hadn’t seen her since he was about four years old. This was the only item of hers he knew to still exist. Hush se ah was born in 1876 as a member of the Wichita
Tribe of Oklahoma. Like many other Indigenous children at that time, she and her younger brother were sent to a govern- ment school. But soon after, a fire broke out there, killing him. Hush se ah’s parents brought her home and continued to teach her traditional ways. As a result, she never learned English, and as she raised Lamar’s father, Newton, and aunt Doris, they were among the last fluent speakers of the Wichita language. In 1909, Hush se ah’s husband, Wichita tribal member Walter
Lamar, sold the cradleboard that had carried their daughter to anthropologist Mark Raymond Harrington, who was collecting objects for the institution that would later become the National Museum of the American Indian. In 2019, during a decade-long project to supplement the museum’s records, NMAI Curator Ann McMullen read a note that “Mrs. Walter Lamar” had made this cradleboard. After reviewing some census information, she reached out to the husband of NMAI Director Cynthia Chavez Lamar, who is also named Walter Lamar, and notified him. He immediately knew this was the name of his great-grandmother, but he didn’t rush to view the cradleboard. He said, “I needed to wait until I was emotionally ready to see it.” A year later, Lamar, who is also Blackfeet, and Cynthia were
guiding a Blackfeet tribal delegation through the museum’s collection at the Cultural Resources Center in Suitland, Mary- land. It was then Lamar saw the cradleboard for the first time. When he finally touched it, he said, “I just sobbed. I could feel the intense connection and it just coursed through me. It was so real, so palpable.” Lamar is grateful that the museum has preserved his family’s cradleboard, a tether to the past. “One day, my kids and grand- kids will come here and feel that same connection,” he said. “This is our identity. This is our history. This is our heritage.” Lamar also encourages others, particularly Native language
speakers and elders, to search the NMAI collection online (
AmericanIndian.si.edu/collections/search) and provide addi- tional information about these items. He said, “This is abso- lutely critical while we still have our knowledge keepers.”
anne bolen is assistant managing editor of American Indian magazine. 42 SPRING 2022 AMERICAN INDIAN
Right: The colorful cotton wrappings on this cradleboard are flexible yet secure enough to hold a baby comfortably in place. A flat piece of wood at the bottom (missing here) would have served as a foot stand.
“I’tsats” (cradleboard), Hush se ah Lamar (Mrs. Walter Lamar, Wichita, 1876–1961), Oklahoma, circa 1900; willow wood, hide, velveteen and cotton cloth, hide thong and wool yarn; 32” x 12.6” x 5.5”. 2/1961
Bottom: In this 1955 photo, left to right, Walter Lamar (held by his father, Newton Lamar) is with his great-grandmother Hush se ah and grandmother Mae Lamar Davis in front of a traditional Wichita grass house in Oklahoma.
LEFT: PHOTO COURTESY OF WALTER LAMAR; PHOTO BY NMAI STAFF
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