Master of Color and Design


Oscar Howe emulated the practice of traditional Dakota artists in his designs, color choices and application.


Oscar Howe (Yanktonai Dakota, 1915–1983), “Sacro-Wi-Dance” (“Sun Dance”), 1965; casein on paper; 28” x 22.5”. University Art Galleries, University of South Dakota, PC OH 29 (OH 99.1).


Sun Dance Sequence Throughout his career, Howe painted depictions of powerful Očhéthi Šakówiŋ traditions, including the Sun Dance. This ceremony—specifically the moment when dancers break free from the pole in a moment of transcendence—held particular fascination for him. In his early work, his perspective was as a viewer. As his technique matured,


so did the angle of view. In “Sacro-Wi- Dance,” the viewpoint is that of a partic- ipant, looking up from below. The danc- ers have completely lost their earthly connection as their bodies dissolve into swirls of ecstasy. The pole is viewed at an acute angle, and it, too, appears to sway and bend as the rules of physics slip away.


SMITHSONIAN INSTITUTION SPRING 2022 39


COURTESY OF THE NMAI AND OSCAR HOWE FAMILY


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