search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
The Storyteller


Howe believed his responsibility as an artist was to record and share Očhéthi Šakówiŋ knowledge.


Here, in a dramatic moment, an evil spirit appears during a 30-day dance to honor the buffalo and strikes fear in the participants, who turn away. The turtle shell at the bottom was used as a drum during the Buffalo Dance. According to Howe, the yellow in this painting symbolizes life and can be interpreted as a hopeful sign that evil will be overcome.


Oscar Howe (Yanktonai Dakota, 1915–1983), “Evil Spirit of the Buffalo Dance,” 1961; casein on paper; 29.75” x 22.5”. Cutler Family Collection.


Culture and Belief While recovering from an illness as a child, Howe spent a great amount of time with his grandmother Shell Face, who taught him about Dakota culture and beliefs. This experience deeply influenced Howe and would later form


the foundation of the sophisticated con- tent that distinguishes his work. He researched his content rigorously and believed that Native artists had a pro- found responsibility to understand the cultural subjects they portrayed.


SMITHSONIAN INSTITUTION SPRING 2022 37


COURTESY OF THE NMAI AND OSCAR HOWE FAMILY


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52