search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
048 FX TALKS


Who are the radical thinkers who inspire you right now?


I love the Design Emergency interviews from Paola Antonelli and Alice Rawsthorn. Te interview with Neri Oxman was very inspiring. Taking the idea of collaborating directly with nature to a whole new level of bio-engineering through Oxmans Material Ecology.


Who outside the industry can architects and designers learn from?


Nature is the greatest thing we can learn from, being curious about what we see around us, whether it’s the structure of leaves, shadow patterns from trees and the amazing natural colours we come across.


What will lead the way for more radical thinking in your/our field?


Real-time rendering will make it so much easier for us to explore our interior designs virtually. Being able to visualise schemes with our clients will inevitably challenge us and the expectations of the final product.


Left Returning to John Berger’s Ways of Seeing has helped Duesbury view things from a different perspective


Could you recommend a book/article/blog that inspired your thinking? Ways of Seeing by John Berger is such a classic text. I can’t remember when I first dipped into this book, probably at university, but coming back to it occasionally helps me rediscover the way of looking at the world around us.


Could you name two buildings/pieces of furniture that you consider radical designs of their time, or perhaps still to this day? Dancing House or ‘Fred and Ginger’ as it was known, by Frank Gehry. It was one of the first buildings I saw that really had a sculptural quality to it and was designed to look like it had movement. Frank Lloyd Wright’s Fallingwater is also fascinating in the way the building interacts with its natural surroundings.


I think best with… (my hands/a pencil/ with a computer)


A cup of coffee, staring into space and day-dreaming.


I think best… (first thing in the morning/ last thing at night)


Last thing at night. Toughts mature from the day or planning for the next day, and form into ideas that pop up and need to be captured.


I think best when… (in a gallery/at home/ outside/over drinks/with friends/on the bus) Travelling, looking out of a train window at the moving landscape or looking out from the plane window at the scenery below.


Te thought that keeps me up at night is… How are we going to make a swift enough change in our mindset to climate change


to really start making a difference for our future.


Te thought that gets me out of bed is… Learning new things, meeting new challenges and getting introduced to different ways of thinking.


Do you like to think with, or think against? I tend to think against, and to challenge conventions.


If you weren’t a designer/architect, where do you think your way of thinking would have led you?


Making furniture or sculpting something out


HEINZ BUNSE


VALE CANTERA / SHUTTERSTOCK.COM


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133