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More words of wisdom from the music business in 2025...


“I always say trying to be successful is really expensive sometimes” Alec Boateng, 0207 Def Jam


between dreamers and doers is execution” Kanya King CBE, MOBO Group


“The difference


“We look forward to a day off, maybe in 2029!” Twiggy Rowley, Project Gold


“I told Lola that I wasn’t doing management anymore, but we had this really funny conversation and she started introducing me to people as her manager. That’s how it started, although I didn’t agree to it!”


Nick Shymansky, Day One Entertainment


Rebecca Allen, Universal Music Group UK


“The onus shouldn’t be on the artists to go to tech


companies and say, ‘Please don’t use me in your AI factory!’” David Furnish


“I’m an extremely loud, hyperactive, Tasmanian devil person” CMAT


“Labels and A&Rs need to stop looking at numbers, work a bit harder and go back to developing artists” DJ AG


“My career has had more twists and turns than an EastEnders plotline”


“Lewis Capaldi turned up at the studio in gym shorts – I think he’d had a pretty crazy night...” Connor McDonough


“Publishing is such an old-fashioned business that really needs to be reinvented. It’s always about how much money and how long the retention period is for. I know from working with artists, they’re not in the business of corporations, they’re in the business of people” Tommas Arnby, Special Projects


“I listen to every demo that gets sent my way; you never know what random email could be the one that changes someone’s life”


Rhea Pasricha, Prescription Songs


“It’s pleasing there are so many first-time headliners at BST Hyde Park this year, if only to stop people talking about the talent pipeline – I think it’s been the biggest bullshit argument for five to 10 years… The biggest artists in the world at the moment are under 40 years old and they’re selling out multiple stadiums”


Jim King, AEG Presents UK and European Festivals


“I’m sick of having record labels say there are bad managers out there. I say, ‘Well, support them!’” Annabella Coldrick, MMF


“The industry has changed out of all proportion and sometimes I do feel like the gatekeeper without the fence… I don’t know that the industry values storytelling as much as it did, [but] I think the world values it more than ever” Alan Edwards, Outside Organisation


“I always have to check what my measure of success is and what my ambitions are. It’s really important for me to keep coming back to this question: why am I doing what I’m doing?” Jamz Supernova


“My studio is in the basement of my house – you could hear my kids above while Charli XCX was sitting on the stairs writing the lyrics to Sympathy Is A Knife – I was like, ‘Oh God, I hope it’s not too loud!’” Jon Shave


“Labels signing kids off one song on TikTok is like putting scuba gear on them, kicking them in the water and saying, ‘Go find us some gold’” Teddy Swims


“Ozzy asked me, ‘Are you doing this as a wife or a manager?’ I was like, ‘Shut the fuck up!’” Sharon Osbourne


“A record label’s idea is to bundle albums with tickets and call that selling records – I call it using my ticket to sell your album” John Giddings, Solo Agency


“For us, the right path is not just about the biggest cheque” Sandy Abuah, Tru Tribe Management


“I’m so much more interested in being an artist people see live than one who streams a lot” Laufey


“When you enter the game, you’re just excited to be in it… As you grow, you realise what a good and a bad deal is” Krept


“There’s a perception that people at the top of majors don’t get their hands dirty – but they absolutely do” Stephen Taverner, East City Management


“I used to take homemade Elton John jewellery to school” Brandi Carlile


“It makes me happy that a lot of alternative music is topping the charts right now – there’s definitely a resurgence” Sombr


Music Week | 59


PHOTOS: Carsten Windhorst & Gerard Hynes, Paul Harries, Louise Haywood-Schiefer, Michael Bodiam, Ejatu Shaw


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