search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
INTERIORS


89


Eventim Apollo’s stage refurbishment by Harlequin Floors


additional custom stage building with Harlequin Floors. The Eventim Apollo, formerly the Hammersmith Apollo, is one of the UK’s largest original theatres. Designed in the Art Deco style by architect Robert Cromie, it first opened in 1932 and remains one of London’s major live entertainment venues. The Apollo has seen some of the finest live


L


entertainers on stage including The Beatles, Queen, Sir Elton John and Kylie Minogue. Harlequin started the full stage refurbishment by removing the old vinyl, plywood and original hardwood stage surface. Then the old electrical wiring, and Victorian water pipes that were no longer in use had to be taken out before the installation could commence. A liquid damp proof membrane was applied and layers of fire-retardant ply were


ast year the Eventim Apollo in Hammersmith went through a complete stage refurbishment plus


placed around the metal conduits that could not be removed. The battens were laid to a laser level to ensure a flat surface and had acoustic isolation pads attached at predetermined centres. The stairs to both sides of the stage were


custom-made to keep the tread distance the same and to make sure the height matched. The stage surface was finished with


Harlequin Standfast heavy-duty performance floor. With its slip-resistant surface, Standfast is particularly suitable for permanent installation on multi-purpose stages. Harlequin also installed a 50 mm strip of


white vinyl along the downstage edge of the stage.This is not visible to the audience but helps ensure the safety of the performers by ensuring that they can see the stage edge. Josh Clague, production manager at Eventim Apollo, said: “With such a busy and varied schedule, it was vital for us that we upgraded our stage to the best industry standard. It's great to know that we now have


a stage protected and prepared for the next generation of shows and events here at the Eventim Apollo.” Harlequin Standfast is suitable for


ballet, contemporary, modern, percussive dance including flamenco, Irish and tap, multi-purpose use, hip-hop, jazz, street, aerobics, television, theatre and for operatic performances. The Harlequin teams work on a wide


range of stage builds and refurbishments, from installing a new top surface to brand- new stage constructions. When an existing stage floor requires refurbishment, Harlequin offers a selection of services including sanding and repainting, replacement of a ‘sacrificial’ hardboard top layer and stage rebuilding, repair or reconfiguration. Each stage is different, so Harlequin’s bespoke stage building and refurbishment service provides a unique solution every time.


01892 514 888


ADF FEBRUARY 2022


WWW.ARCHITECTSDATAFILE.CO.UK


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108