Othello


Character Studies Bianca


Š Like Desdemona and Emilia, Bianca is abused by the male characters in the play. She is largely defined by her profession as a courtesan – although this is never explicitly stated. Critics disagree about whether or not she is a prostitute, but Cassio describes himself as her ‘customer’. Bianca’s love for Cassio is evident from the start and she always behaves affectionately towards him. Unfortunately, he does not take her very seriously and she fares badly as his mistress.


Š Bianca is generally seen as a promiscuous and dishonest woman. All through the play, Shakespeare uses Bianca as a foil to the chaste Desdemona. In his vengeful jealousy, Othello mirrors Iago’s misogyny, eventually seeing no difference between the two women.


Š Bianca also shares many similarities with Othello. They are both outsiders who are paid for their services. The two of them become extremely jealous about their respective lovers – mainly because of the misunderstanding over Desdemona’s handkerchief. But Bianca reacts more realistically and invites Cassio to explain himself: ‘you’ll come to supper to-night’.


I must be circumstanced


Bianca Act 3 Scene 4, l.221


Š Bianca’s attitude to her selfish lover (‘I must be circumstanced’) reveals a reluctant acknowledgment that she does not have equal power in the relationship. However, she has little choice but to endure Cassio’s dismissive treatment. This acceptance of his authority over her foreshadows Desdemona’s words and actions in Act 4 Scene 2.


Bianca plays a crucial role in the tragic plot even though she appears in only three scenes. When Othello sees


her with the handkerchief, he takes it as proof that Cassio and Desdemona are lovers. It is a pivotal moment in the story.


Overview


Š There is never any question about the extent of Bianca’s regard for Cassio. When he is attacked in Act 5 Scene 1, she rushes to help him, even though Iago accuses her of being involved in the assault to divert suspicion from himself. Despite this, she shows true spirit, defending herself against his accusations of treachery: ‘I am no strumpet; but of life as honest/ As you that thus abuse me’.


Š Her genuine love for Cassio allows her to affirm that, regardless of her reputation, she is a woman of some honour. Ironically, such strength of character contrasts with all the hypocrisy around her. It also highlights Cassio’s shallowness and casts further doubt on his credibility.


Š Despite her low status and vulnerability, Bianca is the only female character to survive. She is primarily defined by her relationships with men and must work hard to maintain whatever rights she can establish as Cassio’s mistress. Her sincere feelings for her lover and her efforts to live in a predominately patriarchal society usually make her a sympathetic figure for modern audiences.


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