act 5 scene 1
You have the option of performing this conversation between Romeo and the Apothecary as your CBA 1, if you decide to do this, you should follow these steps:
1. Plan and rehearse the performance as if you were directing it for the stage. 2. Research some images of this scene on stage or on film to give you ideas for your performance.
3. Begin your performance with an introduction to your audience, explaining what has happened to bring Romeo to the Apothecary, his state of mind and what he is planning to do. In your introduction, describe the costumes, the stage, the props and the lighting for the scene.
4. Write a conclusion, thanking your audience for their attention. Tell them what you hope you achieved, and invite questions on the performance.
Following your performance, you will need to fill in a Reflection Sheet. You can see the sheet on page 83 of your Portfolio.
Romeo,s Character
R6 Explore how and why characters develop Act Romeo’s words and actions
In Act 1, Romeo is an unhappy, lonely character, spending too much time on his own. He moans to his friend Benvolio that he is hopelessly in love with Rosaline, who makes him ‘despair’ because she gives him no love in return. His talk is full of ‘sad hours’, ‘griefs’ and ‘misery’.
Everything changes when he sees Juliet and feels love at first sight. He is blown away by her beauty. His dark world lights up: ‘O she doth teach the torches to burn bright!’ He speaks in bright, poetic images. Juliet is a ‘rich jewel’ and a ‘snowy dove’.
Romeo has a good reputation and is well liked. Loyal friends stand by him. He is even respected by Lord Capulet, who tells Tybalt that Romeo is known in Verona as a ‘gentleman … well-govern’d’.
When he speaks to Juliet, Romeo shows a tender, gentle nature: ‘My lips, two blushing pilgrims, ready stand’.
In Act 2, having fallen head over heels in love with Juliet, he risks his life to climb over the Capulet walls to see her. He becomes his most romantic self in the moonlight, describing her as ‘the sun’ or a ‘bright angel’. Her eyes twinkle like ‘stars’. He wishes that he were ‘a glove upon that hand, That I might touch that cheek’.
In Friar Laurence’s cell, we see impulsive, determined, headstrong Romeo: ‘marry us today’.
In Act 3, Romeo is part of the set of young Montague men who clash with the Capulets. In the heat of conflict, he tries to be peacemaker – ‘Gentle Mercutio, put thy rapier up’ – but when Mercutio dies he avenges him by killing Tybalt: ‘Fire-eyed fury be my conduct now’.
When he kills Tybalt, his world falls apart. He loses self-control and becomes so wild and dramatic that the friar calls him a ‘mad man’. Then we see his softer, romantic self again when he wakes with Juliet.
Act 5 begins with Romeo in Mantua, getting news of Juliet’s ‘death’ from his servant, Balthasar. He has strange premonitions about the future, ‘I dreamt my lady came and found me dead’. We see his impulsive side again, ‘Hire post-horses, I will hence to-night’. In contrast with his shallow, moody behaviour in Act 1, Romeo now darkens and deepens as he faces the harsh reality of fate. He becomes strong-willed and defiant, ‘I defy you, stars!’
Romeo is becoming a tragic, heroic, compassionate character. He is on a mission to be with Juliet. He shows pity for the poor Apothecary, ‘Famine is in thy cheeks’. He also shows his total commitment to his love for Juliet: ‘Juliet, I will lie with thee to-night’.
To his servant Balthasar, he speaks in wild hyperbole: ‘I will tear thee joint by joint’. His volatility and impulsiveness result in him killing Paris.
164
In his final soliloquy we see Romeo’s deep, poetic, romantic, tragic, loving, faithful character re-emerge: ‘Here’s to my love! ... Thus with a kiss I die.’
JUNIOR CYCLE ENGLISH Adjectives
sad, forlorn, lonely, solitary
poetic, happy, romantic
respected, liked gentle, tender, loving
fearless, passionate, poetic, sensitive
impulsive, headstrong emotional, rash
childlike, wild, dramatic, volatile, romantic
impulsive, hasty, defiant, strong-willed
kind, tragic, compassionate, faithful, committed
volatile
deep, poetic, romantic, tragic, loving, faithful
Act 5
Act 3
Act 2
Act 1
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202 |
Page 203 |
Page 204 |
Page 205 |
Page 206 |
Page 207 |
Page 208 |
Page 209 |
Page 210 |
Page 211 |
Page 212 |
Page 213 |
Page 214 |
Page 215 |
Page 216 |
Page 217 |
Page 218 |
Page 219 |
Page 220 |
Page 221 |
Page 222 |
Page 223 |
Page 224 |
Page 225 |
Page 226 |
Page 227 |
Page 228 |
Page 229