T


situation. I’m proud to have been published by Penguin Random House, whose WriteNow initiative has actively sought to publish writing from underrepresented communities. Individuals are playing a part too. My second book PRIDE: The Story of the LGBTQ Equalit Movement (Welbeck) was championed by Welbeck editor Isabel Wilkinson. Having a gay brother, she is conscious of the urgent need for publishers to platform diverse stories. Today, as you can see from the round-up of new titles (pp12–20), what is notable is the number of YA novels and children’s picture books that are being published. This is important. I mean no disrespect at all, far from it, but over the past 20 years the industry has championed literary gay stories—some brilliant ones—but to my mind, most important is that we see our lives normalised in commercial fiction and non- fiction, especially for young people to see they are not alone. For all the prize-winners (many of which I love and own), what I really needed were teen romances such as Becky Albertalli’s Simon vs the Homosapiens (made into “Love,


s


ty’s as not gay- s this are no


ers?


traight Jacket, t e publisher ave enough That’s the point,” ople and for gay in that it would be ale Eunuch didn’t h men in it, but I didn’t. writers out there ve made money for author V G Lee springs niest and warmest has been shockingly e industry. There are ence exists, but they o. The recent census t’s say 2% of the UK as LGBT. Would it not n half of one per cent of e about LGBT stories? It sense but also strikes to lishing industry: what is it diverse range of stories? e years the industry has fforts to change this


Simon”). Don’t hate me, it’s true. We were all teenagers once.


Woman, Other, Dean Ata’s Black Flamingo and


Widening representation It’s heartening to see that on both sides of the Atlantic, work by Black gay voices are being published, such as Paul Mendez’s Rainbow Milk, Bernardine Evaristo’s r


k Girl,


Brandon Taylor’s Real Life. But it’s still a drop in the ocean. Where do you turn to see your- self if you are a Black or Asian gay man? What if you are a lesbian or bi woman of colour? Publishers such as Jessica Kingsley are doing a stellar job publishing trans voices and it is heartening to see different books from trans authors hiting the mainstream this year, including more work from Juno Roche, Rhyannon Stles, Paris Lees, Monroe Bergdorf and Shon Faye. But it’s taken decades to get here. Will 2021 be a blip? There also needs to be more ways to ensure the industry recognises what makes a hit in this area too. It’s unlikely many LGBT books will do J K Rowling business, but that doesn’t mean there aren’t breakout hits which should be celebrated. Straight Jacket, the first British t title on the LGBT mental health crisis, has been, as far as I can see (sue me if I’m wrong), the most successful non-fiction non-celebrit LGBT book in the past decade, selling steadily for the past five years, provoking constant streams of reader emails and messages. But I’m not sure the industry knows it. I’ve not been asked for new ideas, even though readers constantly e


t


for new ideas, even tho g enquire about them.


TheBookselller.com


I truly believe that one of the reasons Straight Jacket has resonated is because gay


t


readers are so unused to being spoken to explicitly, directly about their own lives in an authentic voice. When The Bookseller askedr publishers to submit details of LGBT-interest forthcoming titles, I noticed the majorit were mainstream books which “slipped in” gay or trans characters.


To my mind, most important is that we see our lives normalised in commercial fiction and non-fiction, especially for young people to see they are not alone


That’s great in many ways. We should be popping up, as in life, but oſten you can hear the press release desperate not to put off the mainstream by pitching something as “a gay book”; oſten to the point where they don’t even mention it. I get it. But publishers shouldn’t be scared to commission books for LGBT audiences about specific issues that talk directly to us. If the idea is strong enough, then back it up with marketing and promo- tional support and big things can happen. Today, we are moving into a time when centring LGBT characters won’t automatically put off mainstream audiences. I was shocked by the number of both gay and straight people who had no idea how horrendous the AIDS crisis was until “It’s a Sin” was screened. Rejected by multiple channels, it became one of Channel 4’s biggest hits ever. It’s a shame it was not a book that caused this cultural moment, but there are plent more stories to


be told. This is not just a blind spot that the publishing industry has. On TV, I have only ever seen one documentary on homophobic hate crime. The National Theatre is about to produce classic American AIDS play “The Normal Heart”, which will no doubt be bril- liant, as was the last classic American AIDS play it produced several years ago, “Angels in America”. As Straight Jacket showed, AIDS t is by no means the only huge issue that has impacted the gay communit in the past 40 years. There are plent of British writers who could write the next classic British “gay play”, but they are not commissioned.


A matter of Attitude


It cannot all be laid at the feet of the publish- ing industry. When I was editing Attitude magazine, I decided to run a piece of short fiction in every issue and asked for writers to submit work. Almost every one was bleak and unhappy. LGBT life does have its chal- lenges, but when the industry tends to never commission commercial upbeat fiction, then perhaps writers think that’s how stories must be told. As Laura Kay, author of The Split, t writes (on page 10), lesbians deserve some happy endings.


Thankfully more of this is coming through. Picture books such as Nen and the Lonely Fisherman would have been impossible to


n


imagine when I was younger. YA fiction such as that of Ata and Simon James Green, celebra- tory titles such as Jack Guinness anthology The Queer Bible, and novels such as Mat Cain’s


e


gentle and charming The Secret Life of Albert Entwistle, would not have been published 10 years ago. The industry is evolving. It’s impor- tant to celebrate. There’s a way to go, but we are moving forward. Let’s keep doing so. And don’t forget the lesbians. (The Well of Loneliness was a very long time ago).


s Mills & Boon launches LGBTQI+ search


Mills & Boon has joined forces with the Romantic Novelists’ Association to launch a search for new books by and about LGBTQI+ writers, starting next month


Mark Chandler @mark_chandle


M er


ills & Boon has linked up with the Romantic Novelists’ Association


(RNA) to launch a competition aimed at finding new standalone romance novels featuring LGBTQI+ protagonists. Anyone who writes romances focusing on LGBTQI+ characters will be eligible to enter the Romance Includes Everyone competition, including published and unpublished authors, regard- less of whether they are agented or unagented.


Entrants will be asked to include a short statement on why they are passionate about cham- pioning LGBTQI+ characters in


commercial romantic fiction. The contest particularly encourages those who identify as LGBTQI+ to submit their stories. Lisa Milton, executive publisher of Mills & Boon, said: “We want to publish romances for everyone. Acquiring stories celebrating LGBTQI+ characters is crucial to ensure that we continue to serve our readers today and tomorrow.” Submissions will be judged by Mills & Boon senior editor Becky Slorach, senior marketing manager Kirst Capes, and senior publicit manager Joe Thomas, alongside Liam Livings (the RNA’s diversit and inclusion officer, member of the Rainbow Chapter and romance author), and Brigid Coady, a fellow member of the RNA’s Rainbow Chapter and HarperCollins author. The Rainbow Chapter is a


E


LBGTQ+ Publishing


To see the full preview of LGBTQ+ Publishing, see pages 12–20.


Mohsin Zaidi A Dutiful Boy Vintage, 10th June, pb, £8.99, 9781529112207 The paperback edition of Zaidi’s powerfully moving memoir about growing up as a young gay Muslim and the struggle to wed his sexuality, faith and culture. One of the only books published on this subject, this is a book that saves lives.


Mark Gevisser The Pink Line: The World’s Queer Frontiers Profile, 21st May, pb, £10.99, 9781788165150 Following nine LGBTQ people from different countries over seven years, from Uganda to Egypt to Russia, Gevisser looks at the surprising ways some things are moving forwards and others moving backwards.


Will Young To Be a Gay Man Virgin Books, out now, pb, £14.38, 9780753554258 The paperback release of singer Will Young’s book about his experience of growing up gay, the shame he was exposed to as a child and the therapy he has had to overcome it. Expect significant media interest in this title.


0 07 08


Andersen links up with Just Like Us to launch Elmer Pride t-shirt range


lmer the Patchwork Elephant, the classic children’s book character


created by David McKee, is celebrating Pride in 2021 with a range of products which will see all proceeds go to charity Just Like Us. Available through TruffleShuffle.com, a new adult t-shirt and children’s t-shirt will go on sale on 17th May, which this year marks International Day Against Homophobia, Transphobia and Biphobia. The products form part of


Andersen Press’ Elmer Pride collaboration with Just Like Us, an LGBT+ young people’s charity. Elmer, created by David McKee


more than 30 years ago, was named an LGBTQ+ icon by the Guardian in 2014 thanks to the book’s message of celebrating o e’s true colours, accept- iity


n everyon ance and inclusivity. 30th April 2021 The book is also part of a new


teaching resource in Just Like Us’ School Diversity Week toolkit. The charity’s annual event aims to empower school staff and pupils across the UK to tackle homo- phobic, biphobic and transphobic bullying by organising activities that celebrate LGBT+ equality in education. In 2020, schools and colleges representing 1.9 million young people signed up to take part; this year’s week runs from 21st–25th June 2021. Paul Black, Andersen Press


PR and brand director, explained: “Every year we see Elmer read by LGBT families, and used in classrooms and homes around the world to open discussions on acceptance and inclusivity. “We have wanted to give back


for some time now and promote Elmer’s links to the community, and raise some money at the


group within the RNA for writers who identify as LGBTQI+. Imogen Howson, chairperson of the RNA, said: “We are delighted to be working once again with Mills & Boon on this exciting new competition. I am sure that so many of our members will be thrilled at this wonderful opportunit, and we can’t wait to discover some fantastic new romances.”


KIRSTY CAPES AND LIAM LIVINGS WILL JUDGE THE MILLS & BOON COMPETITION


The competition will be open to submissions on


Friday 21st May from 8 a.m. to 8 p.m. Entries should be initially submited to Mills & Boon via Twiter or Facebook using the #LGBTQLoveStories hashtag. If Mills & Boon gives a pitch a “like”, the tweeter will then be invited to send their first chapter, of no more than 5,000 words, a story synopsis and a short statement on why they want to increase the representation of LGBTQI+ protagonists in romance novels to submissions@ millsandboon.co.uk. All “liked” submissions will be read and responded to within 60 days.


same time. Elmer celebrates everyone’s true colours, and that sentiment is shared by the amazing work of Just Like Us in schools around the UK. We hope with our new clothing range we’ll not only be able to raise a lot of money for the charity, but share Elmer’s message far and wide this Pride season.” Dominic Arnall, chief executive


of Just Like Us, added: “We’re delighted to be launching this collaboration with Andersen Press and TruffleShuffle, and funds raised will enable Just Like Us to continue improving the lives of LGBT+ young people through school talks, resources and School Diversity Week. “We can’t wait to see Elmer


opening up much-needed conversations about inclusion, acceptance and celebrating your true colours.”


Matt Cain


Te former editor-in-chief of Attitu asks whether publishing is experie watershed moment for LGBTQ+ re


Making it mains E


veryone knows the way to c is to go on a rant. But I wan I want to celebrate a chang That’s how much beter th themed fiction. The last time I wrote a 2017—I argued that publ cial fiction exploring gay their dut to reflect Briti


in all its glorious diversit. I went on a bit of a ran fairness, it was a qualified rant. I drew on my ex editor-in-chief of Attitude, the UK’s bestselling m


e


for gay men, to argue there was a market for ga and that the mainstream, straight population w receptive to it, as they’d demonstrated in othe A few months later I mounted a crowdfund campaign for my own gay-themed novel, The of Bolton, which had been rejected by over 30 atracted widespread press coverage and the Unbound’s fastest crowdfunded novel ever. because I wanted to give publishing a kick u It’s only fair, then, that I take this opportun how much the situation has improved. For gay-themed literary fiction is complement raſt of commercial fiction, by the likes of Ju Graham Norton, Crystal Jeans, Kate Davi My own latest book, The Secret Life of Albe published by Headline on 27th May. Albert Entwistle... is an up-lit novel abo secretly gay postman, who sets off in sea love, a man he hasn’t seen for 50 years— learns to love his true self, engages with and finally experiences happiness. One for writing the book was to celebrate h accepting our societ is now—and to m all kinds of backgrounds feel proud of played in bringing about this change In tandem with this, I’d like to ma


TheBookseller.com


DATA


ma", in which Carey Mulligan and dy the recent glut of films (like Portrait of a Lady on Fire”) where wear corsets and make eye contact the sea. Last year, when the trailer


was released, Daisy Jones wrote a piec hy are all the Lesbian Films Set in the he notes: “Everything is communicat ring looks and brushing finger tips, w That said, a few contemporary stories men wouldn’t go amiss either. It beco r seeing lesbian and bi women within rical oppression. It’s almost as if writ ren’t sure what to ‘do’ with their quee


cters unless there is a dangerous obsta g the 1800s—to overcome.” same could be said for the publishing haps the thinking has been that there ring up a romantic comedy featuring t re the plot is not them being lesbians, eople who are useless at love, because ience for that. Perhaps there is even a about queer people just living their li o being “other people”, is too confront udience in and of itself.


g


e is no two , but


e there a concern ives, as nting to a


was growing up I didn’t read a single bian in it until I read Oranges are not t eanete Winterson at school, and then rah Waters' Tipping the Velvet 400 timt g). There was nothing else available to solutely obsessed with Louise Rennis and Full-Frontal Snogging series and een quite literally life-changing for me ble to read something like that with a t.


e novel the Only n when


mes (and o me. son’s Angus, d it would e if I had


d a queer charac-


ng the bigger picture unately the landscape is changing. If I looking for queer characters, I could read books by o Dawson, Bethany Ruter or Jacqueline Wilson. I uld be able to read In at the Deep End by Kate Davies


d


d really have my eyes opened. If there is a fear in the dustry about selling commercial queer novels, an idea at being queer is somehow too niche or fringe an experi- nce to appeal to a mass audience, I am thrilled to report hat the number of people who have contacted me has een overwhelming. There is such a desire to read these novels among the queer communit, and I have been so welcomed by straight readers who love the genre, book bloggers who review romantic comedies, and essentially any reader who has gone through a break-up and stolen a pet which, it turns out (however you identify) is actually a universal experience.


Laura Kay’s The Split (Quercus) is out now and will be released in paperback in January 2022 (£7.99, 9781529409826). It centres on Ally, who, after being brutally dumped by her girlfriend, is left homeless, friendless and jobless… but at least she has Malcolm. Wounded and betrayed, Ally has made off with the one thing she thinks might soothe the pain: her ex Emily’s cat.


12 Hanya Yanagihara


To Paradise Picador, January 2022, £20, 9781529077476


One of the most-antici- pated titles of next y artyear is the new novel from Hanya Yanagihara, author of mega hit A Little Life. To Paradise tells the story of three sets of people, living in 1893; 1993, during the AIDS pandemic; and in 2093, where the world is ravaged by global


Oneoft


warming. Expectations, and excitement levels, will be high for this.


Ian Eagleton, James Mayhew (illus) Nen and the


Lonely Fisherman Owlet Press, 6th June, £7.99, 9781913339098


A delightful pictur book inspired by “The Little Mermaid”, about a merman named Nen who loves the oceans but longs for something more. Venturing ashore, he meets a lonely fish- erman named Ernest and magic happens. A beautiful tale of longing, love and the importance of protect- ing the oceans, this is a standout picture book.


htful p cture 30th April 2021 Jack Guinnes ess


The Queer Bible HQ, 20th June,£20, 9780008343989


hi po


his popu ar we The Queer Bible,


Man about town Jack Guinness presents the first book inspired by larwebsite,


presenting a collection of illustrated essays


written by “queer icons” about other trailblazing figures. Includes contri- butions from Sir Elton John, Graham Norton, Paris Lees, Munroe


Bergdorf, and my good self.


Paris Lees What It


htIt Feels


Like for a Girl Particular Books, 27th May, £20, 9780241450123


gr wing p in Noughties hi


British Vogue columnist Lees presents her stun- ning first book, about owing u


Nottinghamshire. Funny, highly


disturbing and always engrossing, it tells the story of teenager Byron and how they struggle to survive a dysfunctional family and a society that does not understand. One of the breakout titles of the year.


Matt Cain The Secret Life


of Albert Entwhistle Headline Review, 27th May, £16.99, 9781472275059


A delightful tale from the author of hit The Madonna of Bolton, this is about a retiring post- man who, having buried lityall his life,


his sexuality all his decides to go looking for the man he loved and lost decades ago. Sweet, lovely and expected to be a big summer hit, this is a welcome alternative to the usual gay stories about young urbanites.


Mary Paulson-Ellis Emily Noble’s


Disgrace Mantle, 19th August, £16.99, 9781529036176


Trauma cleaner Essie Pound makes a grim discovery at a flat she’s been sent to clean up, and meets a police officer who has her own r


wnreasons fon or takin Mrs Walker


an interest in the case. An exciting third novel from a leading gay writer, Paulson-Ellis, whose book The Other r was a


Waterstones Scottish Book of the Year.


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Split (Quercus) is out now and will paperback in January 2022 (£7.99, 6). It centres on Ally, who, after being ed by her girlfriend, is left homeless, jobless… but at least she has Malcolm. betrayed, Ally has made off with the thinks might soothe the pain: her ex


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