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Nielsen studies consumers in 47 European markets, and across more than 100 countries around the world, to give the most complete view of buying trends and media habits.


MARKETING STRATEGY OF THE YEAR MATT CLACHER, LINDSAY TERRELL & OLIVIA MARSDEN


THE SHORTLIST


Amelia Fairney & Rose Poole PENGUIN GENERAL


Amy Fulwood SIMON & SCHUSTER


Kate Neilan VINTAGE


Tom Noble & Lucy Cameron ORION


Joanna Olney & Stevie Hopwood USBORNE


Joanna Rose, Janet Aspey & Jen Callahan-Packer HQ


Alice Shortland, Vicki Watson & Alan Trotter CANONGATE


Jessie Sullivan HEAD OF ZEUS


Georgia Taylor & Ellie Hudson PENGUIN GENERAL


05 W


aterstones’ James Daunt described the release of Hilary Mantel’s The Mirror and the Light as “the literary event of our bookselling careers”. In one


way, such anticipation made the book’s success inevitable—but it also piled enormous pressure on Fourth Estate to deliver a publication that fitted the occasion. The marketing team of Matt Clacher, Lindsay


Terrell and Olivia Marsden did so by making the release not just a literary event, but a cultural landmark for the UK. It started well over a year out from release, and took cues from major-league entertainment marketing in acti- vations such as a billboard teaser in Leicester Square and a projection of the cover onto the Tower of London on the eve of publication. Retail activity included backlist promotions,


a new “reader’s guide” to Mantel, a blizzard of point-of sale material and a Waterstones gift


card to get people buying the book as a Christmas present. Not even the lockdown, and closure of bookshops just after release, could stop the marketing juggernaut, as Fourth Estate doubled down on social media, online ads, influencer targeting and many more digital elements of the strategy. The result? More than 50,000 pre-orders,


well over a quarter of a million UK hardback sales across the year, and over half a million in all of Fourth Estate’s markets. The Mirror and the Light was still in the top 10 six months after release, and the previous two books in Mantel’s trilogy added nearly 200,000 further units to the tally. “It was a note-perfect campaign… stylish,


focused and a masterclass in marketing,” said the award’s judges. “It turned publication into an event that other publishers will be trying to emulate for years, and kept the sales momentum going brilliantly despite the pandemic.”


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