GLOSSARY AND RESOURCES BONE CHINA: CONTRIVED: GERONIMO: HANDICAP:
(IN REGARDS TO GOLF) CASSIDY:
HOPALONG MOJAVE: PALM SPRINGS:
Serving dishes made from hybrid hard-paste porcelain containing bone ash in the early 19th century When Lee decides to return to the desert, he takes his mother’s bone china plates with him to help him feel civilized.
Obviously planned or forced; strained Austin tells Lee that his idea for a chase scene is contrived and won’t make for a good movie.
A leader of the Bedonkohe Apache who fought against Mexico and the United States during the Apache Wars
Lee compares the way that Austin used to play in the desert to Geronimo’s battles.
A numerical measure of a golfer's potential playing ability Lee asks Saul what his handicap is to get a sense of how skilled he is at golf.
A popular fictional cowboy hero who was the central figure of a series of short stories, novels, films, television and radio programs, and comic books from the 1930s through the 1960s Austin is shocked that Saul wants to continue with Lee’s cowboy story because he thinks it is as stereotypical and fake as Hopalong Cassidy.
A desert in southeastern California Lee and Austin used to play in the Mojave as children, and Lee now visits the desert to find comfort.
A city in the Sonoran Desert known for its hot springs, golf courses, and spas When Saul hears that Lee lives in the desert, he assumes that he lives in the upscale area of Palm Springs rather than the literal desert.
Adams, Kirby. “Where—and why—did Sam Shepard live in Kentucky?” courier journal. USA Today. August 1, 2017. Web. Accessed Oct 30 2018.
Agresta, Michael. “How The Western Was Lost (And Why It Matters.)” The Atlantic, 24 July 2013.
Alexander, Bryan. “How Movies Are Made Explains the Power (and Potential Abuse) in Hollywood.” USA Today, 4 Dec. 2017.
Brantley, Ben. “Sam Shepard, Actor and Pulitzer-Winning Playwright, Is Dead at 73.” New York Times, July 31, 2017.
Bogdanovich, Peter. “Playing John Wayne.” New York Times, 28 March 2014. “Bone China.” Encyclopaedia Britannica. Encyclopaedia Britannica, inc. “Buried Child.” Theatre Database. “Cowboys.” Cowboys - The Sam Shepard Website, Coy Moon Creations, 2005.
Crisp, Virginia. Film Distribution in the Digital Age: Pirates and Professionals. Palgrave Macmillan, 2017.
DiLorenzo, Thomas J. “The Culture of Violence in the American West.” The Independent Review, vo. 15 no. 2.
“Disney Buys 21st Century Fox for $71.3 Billion.” The Week, 20 June 2018.
Eder, Richard. “Stage: Sam Shepard Offers 'Buried Child'.” The New York Times, The New York Times, 7 Nov. 1978.
Elberse, Anita. “Why Hollywood Is Caught in the Blockbuster Trap.” Vulture, Vulture, 9 Oct. 2013.
Feingold, Michael. “The Punk Rock Cowboy.” The Village Voice, July 21, 2017. Web. Accessed Oct 30 2018.
“Fool for Love - Lortel Archives.” Lortel Archives, Lortel Archives.
Fugard, Athol. Blood Knot. Theatre Communications Group; 1st Edition(PB) edition (January 1, 1993).
Garcia, Brittany. "Romulus and Remus." Ancient History Encyclopedia, 18 Apr 2018. Web. 06 Nov 2018.
Gilbey, Ryan. “Sam Shepard Obituary.” The Guardian, Guardian News and Media, 1 Aug. 2017.
Guida, John. “Are Blockbusters Destroying the Movies?” The New York Times, 6 Jan. 2015.
Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. Penguin Books, 2009.
Healy, Patrick. “Ethan Hawke Tackles Sam Shepard's 'Lie of the Mind'.” The New York Times, The New York Times, 27 Jan. 2010.
“Hollywood: The Shock of Freedom in Films.” TIME, 8 Dec. 1967.
Horwath, Alexander. “The Impure Cinema: New Hollywood 1967-1976.” The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser et al., 1st ed., Amsterdam University Press, 2011, pp. 9–16.
22 ROUNDABOUT THEATRE COMPANY
“It Happened In History!: Sam Shepard.” American Society of Authors and Writers. ND. Web. Accessed Oct 30 2018.
Jones, O-Lan. “Running Off With Sam.” American Theatre. Theatre Communications Group, August 4, 2017. Web. Accessed Oct 30 2018.
King, Noel. “‘The Last Good Time We Ever Had’: Remembering the New Hollywood Cinema.” The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser et al., 1st ed., Amsterdam University Press, 2011, pp. 19–33.
Lang, Brent, and Lucas Shaw. “Who Has Greenlight Power in Hollywood? A Studio-by-Studio Guide.” TheWrap, TheWrap, 20 Nov. 2013.
League, The Broadway. “Fool for Love.” IBDB: Internet Broadway Database.
Leigh, Danny. “Bored with Blockbusters? Why Hollywood Needs Another Bonnie and Clyde Moment.” The Guardian, 10 Aug. 2017. Lucas, George. “The Star Wars.” Sci-Fi Scripts. Web. “Mojave Desert.” Encyclopaedia Britannica. Encyclopaedia Britannica, inc. “Motion Picture Patents Company.” Encyclopaedia Britannica. Encyclopaedia Britannica, inc.
New International Version. “Genesis 4:1-26” [Colorado Springs]: Biblica, 2011. BibleGateway.co
m. Web. Parks, Suzan-Lori. Topdog/Underdog, Dramatists Play Service Inc., 2002.
Rich, Frank. “THEATER: 'A LIE OF THE MIND,' BY SAM SHEPARD.” The New York Times, The New York Times, 6 Dec. 1985. Schatz, Thomas. “Cowboy Business.” New York Times, 10 Nov 2007.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark, The Complete Works of William Shakespeare. Web.
Smith, Patti. “My Buddy: Patti Smith Remembers Sam Shepard.” The New Yorker, The New Yorker, 1 Aug. 2017.
Sulloway F.J. (2001) Birth Order, Sibling Competition, and Human Behavior. In: Holcomb H.R. (eds) Conceptual Challenges in Evolutionary Psychology. Studies in Cognitive Systems, vol 27. Springer, Dordrecht
“The History of the Hollywood Movie Industry.” History Cooperative. “The Western Film By The Numbers.” The Old Corral.
Thompson, Derek. “The 6 Graphs You Need to See to Understand the Economics of Awful Blockbuster Movies.” The Atlantic, Atlantic Media Company, 11 July 2013.
“True West.” Play Guide, Actors Theatre of Louisville.
Various Authors. “Sam Shepard: Mystery and Magic, Freedom and Fire.” American Theatre. Theatre Communications Group, August 4, 2017. Web. Accessed Oct 30 2018.
Wilde, Lisa A. and Damavandi, Zheyan. “True West.” Audience Guide, Rep Stage.
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