search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
role as soothsayer, since birds were omens that needed to be interpreted). The mask worn by Jocasta (Eleanor Stuart), Oedi- pus’ mother-wife, clearly shows their difference in ages, as does her mature voice. The Chorus (comprised of the aged men of Thebes) wear masks that reflect their age, but also their anxiety over the woeful state of the plague-ridden city. Even more striking than the costume de- signs is the direction of the famed Tyrone Guthrie. Under his direc- tion, the actors employ a decid- edly expressionistic method of delivery, wailing their lines in an unmistakable lament, elongating vowels for emphasis, and often chanting eerily, as they partici- pate in the unfolding drama of the curse on the House of Thebes and the inexorable truth of the oracles. There can be no doubt that Guthrie was influ- enced greatly by Orson Welles’ film version of MACBETH (1948), with the otherworldly chanting of the weird sisters; moreover, the same miasma of evil and para- noia engulfs Macbeth’s castle, Glamis, and Oedipus’ palace, both about to burst from the se- crets they contain.


Information on the back of the keepcase wrongly lists Dou- glas Rain (the voice of HAL in 2001: A SPACE ODYSSEY) as Creon. In fact, Robert Goodier plays Creon, and Douglas Rain plays the Messenger. (Why didn’t the label indicate that William Shatner plays one of the Chorus members?) Letter- boxed at 1.80:1 with 16:9 en- hancement, the image is fine if understandably on the soft side, with the color palette largely confined to browns, blacks, and greys. The DD-1.0 soundtrack, available in English only, em- phasizes the theatricality of the production, but is nonetheless ser- viceable. The 12 scene selections


Vasily Livanov stars in SHERLOCK HOLMES AND


DOCTOR WATSON—note his fine collection of movie stills, which he uses as an aid in his mastery of disguise.


are listed in an unadorned card in the keepcase. There are no supplements.


SHERLOCK HOLMES AND DOCTOR WATSON


aka Sherlok Kholms i Doktor Vatson


1979, Twister, DD-5.1/ST, $24.99, 67m 31s/65m 50s, DVD-0


THE ADVENTURES OF SHERLOCK HOLMES AND DOCTOR WATSON: THE KING OF BLACKMAIL


aka Priklyucheniya Sherloka Kholmsa i Doktora Vatsona 1980, Twister, DD-5.1/ST, $24.99, 63m 19s/64m 32s/ 64m 28s, DVD-0


THE ADVENTURES OF SHERLOCK HOLMES AND DOCTOR WATSON: THE HOUND OF THE BASKERVILLES


aka Priklyucheniya Sherloka Kholmsa i Doktora Vatsona: Sobaka Baskerviley 1981, Twister, DD-5.1/ST, $19.99, 143m 16s, DVD-0 By Kim Newman


Considering worldwide audi- ence figures and the identifica- tion of lead actors with beloved roles, the UK-made Granada shows with Jeremy Brett were possibly pipped as the Sherlock Holmes series of the 1980s by a shorter-lived run of episodes made in the then-USSR, directed by Igor Maslenikov, with Vasily Livanov and Vitaly Solomin as a


57

Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84