BIOMIMICRY
DAVID ROCKWELL Selected projects
W Hotel Union Square New York, US 2000
That project was a big breakthrough for us. It was our fi rst complete hotel, and was transformative for me.
Gordon Ramsay’s Maze London, UK 2005
Contemporary artists bring a modern twist to the historic interior at W Paris – Opéra.
Rockwell Group Europe were responsible for the design
It’s in a spectacular location and it had a great opening party. I still love going there – I’ve never met Gordon though!
Nobu Restaurants and Nobu Hotel Caesars Palace Selected locations 1994 – present
Our work with Nobu is a very rare gift. It’s a 20 year relationship, and that’s something that as an architect you don’t often get. It’s been a privilege to partner with Nobu and help develop his concept over 20 years.
The set design for the Rocky Horror Show 2000
That was my fi rst Broadway show, and I was lucky enough to not know what you couldn’t do. It was the perfect fi rst show for us and it was a miraculous experience.
The Center for Civil and Human Rights Atlanta, US 2014
We were invited by the theatre director George Wolfe to do this project. George had been brought on board to write and creatively direct the story of the museum. It was a great experience and a chance to create a series of environments that do the best of what documentary fi lms, art installations and memorials do. It morphs between many different forms of storytelling, but they’re all informed by a master storyteller.
Virgin Hotel Chicago, US 2015
People have certain expectations about what a Virgin Hotel might be, and the most interesting thing about this project is that it’s surprising. The check in is surprising, the room product is surprising – we tried to bring something fresh and unexpected to the whole project. ●
56
CLADGLOBAL.COM CLADmag 2015 ISSUE 2
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132