This page contains a Flash digital edition of a book.
Steve Halle


Who are you're biggest creative influences? The poets I've published and developed relationships with through editing Seven Corners (7C).


Artists, musicians, and writers like Kamau Brathwaite, Samuel Beckett, John Coltrane, Malachi Ritscher, Walt Whitman, Ronaldo V. Wilson, Gertrude Stein, David Antin, Samuel R. Delany, Raul Zurita, Kurt Cobain, Charles Mingus, Paul Celan, Harryette Mullen, Ariana Reines, Albert Ayler, Joyelle McSweeney, Thelonious Monk, Dennis Cooper, James DeFrain, Dave Rempis, Jeff Parker, Ken Vandermark, Aram Shelton, Roxane Gay, Rob Mazurek, Russell Edson, Franz Kafka, Chuck D, Johannes Göransson, Lee "Scratch" Perry, Charles Bukowski, Courtney Love, Lara Glenum, Feng Sun Chen, etc. (this list could be much, much longer).


The bloggers and others associated with Montevidayo (www.montevidayo.com). Underdogs and those beneath the underdogs.


Most of all, my teachers and mentors, especially Ross Gay, Anne Waldman, Robert Archambeau, Duriel Harris, Br. Robert Ruhl, Jerrol Leitner, and Tara Reeser.


As a poet how would you define success? Success as a poet means writing poems that you find interesting enough to make you want to write more and better poems. If you aren't interested in your own work, how can you expect others to like it? Poets' success flows from their internal motivation, their own commitment to doing the work as best as they can. As much as poetry needs an audience, poets' success is all self-generated.


Do you think the internet is crucial to the success of writers today? No, not based on my above definition. I will say, however, that in order to gain attention from other poets, contemporary writers need to have more tools at their disposal than just the writing. There is no better contemporary tool for finding readers and other writers to network with than the internet. I don't think that making connections with people takes away time that I would otherwise spend writing—I need to be disciplined enough to do the work. I also don't believe that having confidence in my work, promoting what I'm working on online, or talking about contemporary issues with other writers in online communities tampers with the imagined purity of the writing life or the practice of writing.


Steve Halle is the author of Map of the Hydrogen World. His creative work appears or is forthcoming in Jet Fuel Review, 1913: A Journal of Forms, and the Dirty:Dirty anthology from Jaded Ibis Press. He edits the online poetry journal Seven Corners (7C) and directs co•im•press. He is the assistant director of the English Department's Publications Unit at Illinois State University.


www.poetsandartists.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118