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FEATURE


the pressures of the education system, that struck a chord with local audiences. It remains diffi cult to release most Bollywood fi lms in Hong Kong. “We polished the sub-titles to help Hong Kong


people understand the references,” explains Lee. “It catered to a wide audience, professionals, par- ents and retirees, and it’s been a long time since we’ve seen people in the cinema laugh so fre- quently.” Less of a laughing matter is the impact of Hong Kong’s sky-high rents on the exhibition sector. Sev-


Country of origin


eral cinemas have closed recently, including the UA Cinemas site in the Times Square mall, which closed at the end of January when it could not match the rent paid by a luxury brand retailer. The Hong Kong Theatres Association has referred this matter to the Hong Kong Film Devel- opment Council, observing that Hong Kong has only around 45 cinemas with 199 screens, com- pared to more than 120 cinemas in the 1980s. A special taskforce has been formed to look into the problem and fi nd possible solutions. 


s


HONG KONG TOP 10 2011 (JAN 6, 2011-JAN 4, 2012) Rank Title


1 Transformers: Dark Of The Moon US


2 Harry Potter And The Deathly Hallows: Part II


3 You Are The Apple Of My Eye


4 Pirates Of The Caribbean: On Stranger Tides


7 Mission: Impossible — Ghost Protocol


8 I Love Hong Kong 9 X-Men: First Class


10 Sherlock Holmes: A Game Of Shadows


Source: Rentrak Distributor Release date Gross Par/Intercon June 29 US Warner Bros July 14


Taiwan Fox US


5 3D Sex And Zen: Extreme Ecstasy HK 6 Kung Fu Panda 2


US US


HK US


Disney Newport


Oct 20 May 19


Apr 14


Par/Intercon July 21 Par/Intercon Dec 15


Intercon Fox


Feb 3 June 2 US Warner Bros Dec 14 $11m $9.9m 2


$7.9m $5.9m


$5.3m $5.1m $57m


$3.4m


$3.33m $3.29m


Distributor


Bollywood fi lm 3 Idiots took an impressive $3m in Hong Kong


HONG KONG TOP 10 LOCAL FILMS 2011 (JAN 6, 2011-JAN 4, 2012) Rank Title


Release date 1


3D Sex And Zen: Extreme Ecstasy


I Love Hong Kong


3 Overheard 2 4


5 6


7 8


Shaolin


Don’t Go Breaking My Heart


Let The Bullets Fly


Life Without Principle


9 Mr & Mrs Incredible 10 Wu Xia Source: Rentrak


All’s Well, Ends Well 2011


Newport


Intercon Newport Newport


UA/Emperor UA/Emperor


UA/We UA/We


Apr 14 Feb 3


Aug 18 Feb 2


Jan 27 UA/Media Asia Mar 31 Jan 13 UA/Media Asia Oct 20 Feb 3 July 28 Gross $5.3m


$3.4m $3.1m $2.6m


$2m $1.59m


$1.57m $1.09m


$1.05m $1.03m


JOIN CREATIVE SKILLSET IN THE UK FILM CENTRE AT CANNES 2012


SATURDAY 19 MAY 10.15 – 11.15am


Micro Scope Microbudget fi lms are on the rise! The return on investment can be impressive for microbudget hits, a fact which has not escaped top international producers and key distributors investing in them. Join our fi lmmakers and distributors for some big thinking on everything microbudget - from storytelling and stretching the budget to reaching audiences. Presented by Creative England, Film London and Creative Skillset.


Venue: UK Film Centre Pavilion No. 118


Village International Cannes


SKILLS. JOBS.


ACTION. www.abiggerfuture2.co.uk


SS6059_Microscope.indd 1 ■ 34 Screen International at Cannes May 18, 2012


08/05/2012 16:22


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