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046


PROJECT / SCOTTISH NATIONAL PORTRAIT GALLERY, EDINBURGH, SCOTLAND Discussion photographs: Kat McDonald Photography JW RS DH GF JH PJ JR


Paul James, mondo*arc editor, talks about the LED lighting system at the Scottish National Portrait Gallery with lighting designer Gavin Fraser of FOTO- MA; Roger Sexton of Xicato; Dave Hollingsbee of Mike Stoane Lighting; Jacqueline Ridge, Keeper of Conservation at National Galleries of Scotland and James Holloway CBE, Director of the Scottish National Portrait Gallery. James Watt looks on...


Paul James (PJ): Were you actively looking for an LED system to replace the existing lighting? Gavin Fraser (GF): No. The original tender two years ago was much more traditional in that it had fluorescent and low voltage with pockets of LED (around 20% of the project). However, the cost was too much so we took the track lighting out of the contract to be dealt with at a later date. Two years later the technology had advanced so fast that the options were much greater and an all LED solution was possible. After lots of test- ing we chose the Mike Stoane / Xicato solu- tion due to the quality of the light. It was also cheaper than the other systems that we tested so that was an added benefit. Incredibly in the six months after agreeing the new tender, technology had improved even further so we were able to get 500lm extra per light fitting for no extra cost. As we’ve been going along we’ve been very editorial as to what we’ve been doing and now the galleries have plenty of spares. You always design so that you’ve got 5-10% more but we’ve ended up with 20% more! That means that other buildings in the National Galleries portfolio will benefit. Dave Hollingsbee (DH): We’ve been working


JAPANESE


エディンバラのスコットランド国立肖像画美術 館には、


像が収められている他、 レクションも収蔵されている。 ロバート


Park(パーク)の手による昨今の建物の改修 で、


スコットランドが国として保有する肖 現在では国の写真コ Page(ページ)と


Sir Robert Rowand Anderson(サー・ ・ロワンド・アンダーソン)が1889年


建造当時に目指した姿と機能が取り戻され た。


り払い、


具体的にはふかし壁とふかし天井を取 窓部分の開口を確保することで、





に隠れていたヴィクトリア式のディテールが 露になった。


FOTO-MAの手によるギャラリー空間の照明 は、


エディンバラを拠点に活動する Xicato XSM 3000k 2000lmモジュール


のMike Stoane Lighting Track Xタイプを 用いた英国初の100%LEDベースのソリュー


ションだ。 高い装置と、


with Xicato pretty much since they started. We showed Gavin the Track X with the Xi- cato module a few years ago. It was already generating a lot of interest because of the CRI, the colour consistency, the durability and the lockability. It was a little restricted on reflectors and drivers but it is now much easier and there are many suppliers we can now go to depending on our requirements. Xicato are very good at communicating new developments to us as it comes online which is important because every job that comes along has different requirements. GF: That’s a key part of this. When Mike Stoane first submitted their tender, their light levels weren’t powerful enough for some applications. But, in the period it took to make the decision, an advance had been made and they came back to us with the solution. So now we’ve got something that exceeds what we were testing. In a funny way, it’s like old technology because it’s based on reflectors. If something wasn’t quite right we’d take the fitting apart and change the reflector or the lens. It’s a great way of doing it! DH: That’s how the Fatty came to be devel- oped. Although we could get 1,500 lumens out of our Track Type X fittings there were


Fattyが設計された。


の期間内にも技術進展があったことから、 LEDソリューションが可能となった。 写真展示室の35ルクスから、


CHINESE


位于爱丁堡的苏格兰国家肖像画廊是苏格 兰全国肖像画珍品之家,目前还收藏有全国 摄影作品集。由建筑师Page \ Park对画廊 进行的最近一次翻新,恢复了1889年原设计 师 Robert Rowand Anderson爵士设计的原 本外观和功能。这次翻新拆除了假墙和压 低的天花板、开通数扇窗户并重现了隐藏 的维多利亚式细节。画廊空间的照明,是由 爱丁堡本地的FOTO-MA设计的,这是英国


吹き抜け部分向けにはより出力の よりサイズの大きいリフレクター 入札段階から着工まで 全


照度は 各ギャラリーエ リアでは300ルクスまでの範囲となっている。


still some situations at high height levels where we need to increase the output with a tight beam. We asked Xicato if they knew of anything new in reflector technol- ogy and they came back with a 10° angle, traffic cone-type reflector but it was quite large. With trepidation we presented this to Gavin and he liked it, knowing that the size wouldn’t be an issue as they were going to be installed at a high level. Being a larger size it also enabled us to run at 1A with a 2,000 lumen output. Jacqueline Ridge (JR): The strength of the project was that we were able to keep an eye on what was happening day to day but at the same time be very conscious of what we were trying to achieve. I remember thinking, right at the beginning, that LED would be an option but four years ago they


第一个采用全LED照明解决方案,使用Mike Stoane的X型照明轨道装配Xicato XSM 3000k 2000流明的LED灯组。对于双层楼 高的空间,还专门设计具有更高输出和称作 Fatty的更大反射器的大型装置。在从投标 阶段到获得这项工作期间的科技发展,让实 现全LED解决方案成为可能。光照强度从 摄影室的35 lux到画廊不同区域的300 lux不 等。


FRANÇAIS


La Galerie de Portraits Nationale écossaise d’ Édim- bourg abrite la collection nationale de l’Écosse de portraits et accueille également en ce moment la Collection de Photographie nationale. La rénovation récente du bâtiment par les architectes Page et Park a redonné à la bâtisse son prestige original de 1889 que l’on doit à l’architecte monsieur Robert Rowand Ander-


son. Ce résultat a été obtenu en enlevant les faux murs et faux plafonds, en ouvrant des fenêtres et révélant des détails victoriens jusqu’alors cachés. L’éclairage des espaces de galerie, conçus par le FOTO-MA Basé à Edimbourg, est la première solution au Royaume-Uni basée entièrement sur un système de LEDs utilisant le système d’éclairage Mike Stoane Type X modules Xicato XSM 3000K 2000lm. Pour des espaces de hau- teur double, un appareillage plus large, d’une puis- sance plus élevée et équipé d’un réflecteur plus grand surnommé fatty “ le gras” a été conçu. Les avancées technologiques au cours du temps ont montré que la solution tout-LEDs était possible. La gamme lumineu- se varie de 35 lux dans la chambre photographique à 300 dans les différents autres espaces de la galerie.


DEUTSCH The Scottish National Portrait Gallery in Edinburgh


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