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She also broke out of her established pattern of


self-reliance, and wrote


with other musicians: Sia Furler, Inara George, Eleni Mandell, Charlie Wadhams. The lone cover on the album is the frolicsome love call “Vibe So Hot,„ which was written by Benji Hughes. Although there were opportunities to work with well- known veterans, the process came most naturally when it didn‘t stray far outside her immediate social orbit. It was George—the voice of the bird and the bee, and co-author of the twinkling “City Lights (Pretty Lights)„—who pointed her towards their fellow Los Angeles denizen Mandell. In turn, that pair concocted the standout “Oo La La.„ Much like that jazzy collaboration, in which the narrator allows little deviations in a daily routine to open the door to adventure, these creative alliances helped Ahn unlock a more mature, sophisticated approach to her craft.


The next step was translating the fledgling songs into demos. Although she plays myriad instruments on the album, including electric and acoustic guitar, banjo, autoharp, piano, organ, and a wide variety of keyboards, Ahn‘s home studio is a very modest affair. So she used her own voice to emulate different instrumental colors and parts, layering harmonies. Many of these ideas carried over into the final record, yielding beautifully layered vocal parts that evoke the intricate, multi-tracked arrangements of the Beach Boys and Kirsty MacColl.


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