CONTENTS TIFF AND TIFFCOM PRESENT JAPAN SPECIAL FOCUS 2011
UK office Greater London House, Hampstead Road, London NW1 7EJ, UK. Tel: (44) 20 7728 5000 US office Screen International, 8581 Santa Monica Blvd, #707, West Hollywood, CA 90069
E-mail:
firstname.lastname@
emap.com (unless stated)
Editorial
Editor Mike Goodridge
Deputy and features editor Louise Tutt
Head of news Wendy Mitchell (44) 20 7728 5633
US editor Jeremy Kay (1) 310 922 5908
Jeremykay67@gmail.com
Group head of production and art Mark Mowbray (44) 20 7728 5619
Group art director Peter Gingell (44) 20 7728 5562
Art editor Joselle Carlino (44) 20 7728 5518
Features reporter Sarah Cooper (44) 20 7728 4270
Reporter Andreas Wiseman (44) 20 7728 5628
Asia editor Liz Shackleton,
lizshackleton@gmail.com
Japan correspondent Jason Gray (81) 3 6767 2480
jasong_screen@jcom.home.ne.jp
Advertising and publishing
International advertising manager Andrew Dixon (44) 20 7728 5622
UK & South Africa Andrew Dixon (44) 20 7728 5622
France, Spain, Portugal & Latin America Nadia Romdhani (44) 20 7728 5625
Germany, Scandinavia, Benelux & Eastern Europe Gunter Zerbich (44) 20 7728 5621
Italy, Asia & India Ingrid Hammond (39) 05 7829 8768
ingridhammond@libero.it
New Zealand, Australia, Singapore, Thailand, Middle East & Japan Pippa Johnson (64) 9 415 1411
pippa@newworld.net.nz
VP business development, North America Nigel Daly (1) 323 654 2301 / 213 447 5120
nigeldalymail@gmail.com
Production manager David Cumming (44) 20 7728 4120
Senior commercial director Alison Pitchford (44) 20 7728 5528
Head of marketing, media & built environment Vicky Priest
Marketing executive Claire Hyland (44) 20 7728 3975
Corporate subscriptions sales — Emap Inform Akbar Ansari (44) 20 7728 3536
Festival and events manager Mai Le (44) 20 7728 5609
Publishing assistant and events co-ordinator Stephanie Geisler (44) 20 7728 4583
CEO Emap Inform Natasha Christie-Miller
Managing director and group editor Conor Dignam (44) 20 7728 5545
7 13 May 2011 Screen International 1 n 5 2
5 ROLL OUT THE GREEN CARPET The Tokyo International Film Festival and its TIFFCOM market is Japan’s leading film event. The organisers reveal their plans for this year
7 THE MUSE OF THE MASTERS Legendary actress Kyoko Kagawa is the subject of a retrospective at TIFF this year
13 JAPAN IN CANNES From Competition to the Marché, we profile the hottest Japanese films heading to the Croisette in 2011. Plus, details of the companies at the Japan booth in the Palais
2 JAPAN REBUILDS How the Japanese film industry is dealing with the impact of March’s devastating natural disaster and helping the rebuilding process
Japan: strength in adversity I
t is a privilege for Screen International to celebrate the Japanese film industry in this special Cannes supplement in a year which has seen Japan over-
come one of the most devastating natural catastro- phes in modern times. The Japanese people impressed the world with their resilience, stoicism and determination to move on from the earthquake, tsunami and threat of nuclear disaster which struck the country on March 11. The film industry was affected, as was every indus-
try in Japan, but in this supplement, presented by Screen and the Tokyo International Film Festival (TIFF), it is clear the industry across all sectors is already back on its feet. TIFF is gearing up for its 24th edition, which takes place October 22-30. It’s heartening to see such a robust Japanese
presence in the official sections of the festival this year. There are two titles in competition — Takashi Miike’s Hara-Kiri: Death Of A Samurai and Naomi Kawase’s Hanezu, while Sion Sono’s Guilty Of Ro- mance is a special screening in Directors’ Fortnight. Screen’s Japan correspondent, Jason Gray, takes a
look at the career of veteran actress Kyoko Kagawa, who is being feted with a major retrospective at TIFF this year. Her resumé encompasses some of the great- est films ever made, some or all of which will be shown at TIFF. It’s a fitting reminder in a challenging year for the country that Japan has produced some of cinema’s greatest stories. And, through Miike, Kawase and Sono here at Cannes, continues to push the boundaries of film.
Mike Goodridge, editor
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20