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Issue 1945 | 19th June 2010 UK £2.00 – USA $6.50 – Europe €3.95 ANTIQUES TRADE


master pictures page 31 | LONDON


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Failing to return art as market fell cost Christie’s dear


■ Jury awards Halsey Minor millions in compensation


by Roland Arkell


THE troubled internet entrepreneur and art collector Halsey Minor, who in March was ordered to hand over $6.6m for unpaid items ‘bought’ at Sotheby’s, has won a parallel legal battle with Christie’s.


A San Francisco jury found that


Christie’s owes Minor close to $8.5m for wrongly delaying the return of contemporary art consigned for sale at the height of the art boom. Minor’s dispute with Christie’s arose when the auction house, concerned at the collector’s failure to pay his bill for other works purchased at auction, held on to seven works by Richard Prince


consigned for sale at Christie’s-owned Haunch of Venison gallery in May 2008. They included a pulp-fiction Nurse series painting and perhaps Prince’s best-known work, the 1989 Untitled photograph of the Marlboro cowboy valued at the time at around $4m.


The seven works failed to sell but, despite Minor’s repeated requests for their return, Christie’s held on to the pictures, hoping to use them as leverage against the $12m that the collector owed for auction purchases.


The court found that the auction house had no right to do this, regardless of what they were owed for an unconnected transaction.


By mid-August, Minor had paid $5m


toward his purchases but – while the auction house sent emails promising the Princes would be returned to him shortly – they had decided not to ship an estimated $25m cache of pictures until Minor paid his debts in full. However, in the highly volatile


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The first slice of the Longridge collection of early British pottery and European vernacular works of art, formed over 30 years by American Syd Levethan, was sold in two sessions for £2.93m by Christie’s King Street on June 10-11. A market-defining sale, replete with all of the current strengths and weaknesses of this traditional collecting area, it included museum quality objects such as this 15in (38cm) Southwark delft dish, above, painted with Saint George slaying the dragon and inscribed John Ayres, 1637. It is a true document of the Stuart period. Made for a prosperous tailor who worked in the City of London, and to a form known in contemporary records as ‘clapmash’ dishes for their similarity to Dutch sailor’s hats, it carries the initials of the painter to the reverse, almost certainly the same hand who decorated an equestrian charger of the same date in the Glaisher collection. Last on the market in February 1995 when it sold at Sotheby’s for £50,000, it


reappeared here to sell at £95,000 (plus five per cent import VAT and 25/20/12 per cent buyer’s premium). It was knocked down to specialist Garry Atkins. The top lot of the sale was another large George and the Dragon dish, but in


press-moulded slipware made by Samuel Malkin, probably at Lazencroft near Leeds, c.1730. It prompted one of the bigger bidding battles of the second day selling over the telephone at £145,000 (estimate £50,000-80,000).


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