This page contains a Flash digital edition of a book.
HOTEL REVIEW
Oana Rosen has created dark sexy
interiors with a feminine touch for
Frankfurt’s Roomers hotel, crowned
by a unique Biorhythm spa designed
by Nik Schweiger.
Roomers
Frankfurt
Words: Guy Dittrich Photography: Courtesy of Gekko Management
wanted to create a sexy magnetism bought in Ibiza, is lit by the lobby fireplace. Gerbermühle (Sleeper May/June 2009). Her
I
to the hotel that would appeal to This pattern is also repeated in the sheet work includes a fabulous bar and separate
both men and women,” says interior of marble recessed in the shallow basins in restaurant that both access the large, open
designer, Romanian-born Oana Rosen the suites. The reinforced sheet, made by rear courtyard. The courtyard includes
of her designs for Roomers hotel in Frankfurt. Ströffmann, lifts out for easy cleaning but a lengthy sweep of concrete bench that
“Something strong but also with a cosy and makes washing possible only using a running incorporates planters, a double water feature
cocooning warmth.” The lobby combines tap. Regular rooms have black glass bowl in zinc by Rita Jordens of Belgium, boxy
both hard surfaces – the mirror-finished metal basins. The guestrooms’ dark maroon walls Barcode furniture from Bangkok-based Ken
reception desk and low tables from Megaron and black casegoods are matched by dark Koon, and other Thai-sourced steel seating.
of Turkey – with softer elements such as stone bathrooms – the marble floor slab in the In the restaurant Rosen dealt with the
smoky silk drapes, luxurious hide upholstery separate showers has been etched in a series low ceiling of this former retail bank by
and a long purple velvet banquette of Rosen’s of ever lower concentric steps that provide incorporating indirectly lit recessed ceiling
own design. Enclosing swan-shaped chairs a fabulous non-slip surface. Sanitaryware is artworks by Carsten Witte, one of which runs
in silver-sheen velvet by decadent Italian from Ross Lovegrove’s Istanbul collection the length of an intricately carved high-level
designer Cavalli sit beneath suspended crystal for Vitra, whose curvaceous forms are communal table from DK Home. Stools, also
chandeliers, also by Cavalli. In the restaurant, continued with the Rosen-designed chaise from DK Home, were adapted with longer
pleated lampshades decorate the chandeliers longue in front of the curved window of the legs to match the table height. Warm beige
by JNL of France, highly decorative corner suites that arcs up to become the desk. and grey velvet banquettes and regular seating
detailing surrounds Venetian mirrors and the Rosen’s furniture and the casework, including provide ample alternatives.
suspended pendulum chairs at the entrance swivelling TVs incorporated into the dividing In the 24Hours Bar, mixologists take centre
are examples of her feminine touch. screens of some rooms, was produced locally stage in an island comprising levels of glossy
Adjacent to an open fireplace in the lobby, by Kansy Objekt Design. Use of the Zumtobel black bands topped by a counter and two
there are padded wall panels upholstered guestroom lighting system is intuitive. glowing boxes of crushed ice for the display of
in a high-sheen burnished gold fabric. The “Roomers has 117 rooms and so I had the champagne bottles.
patterning and gold are repeated in corridor chance to include everything in the hotel,” In the ceiling surrounding the bar, a ring
lampshades, the guestroom headboards and explains Rosen, relishing the opportunity to of dangling black Perspex strips diffuse the
divan bases. The intertwined pattern of the do a bigger hotel project than her previous indirect lighting reflected from a gold recess.
hotel’s logo, inspired by a broach Rosen work on The Pure (Sleeper Spring 2006) and Flush-mounted floor LEDs highlight
060 MARCH / APRIL 2010 WWW.SLEEPERMAGAZINE.COM WWW.SLEEPERMAGAZINE.COM MARCH / APRIL 2010
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164