HOTEL REVIEW
ABOVE: The Emiko bar and restaurant feature pale maple furniture, rice paper lampshades and
sliding screens in keeping with the Japanese cuisine ABOVE RIGHT: Seating in the restaurant is
upholstered in subtle grey-green fabric
and leather details. The solidity of the The Emiko restaurant is furnished with
brass guestroom door handles manufactured pale maple furniture motivated by its Japanese
by FSB are a case in point. Hild have chosen associations; wide and deep one-armed chairs
materials that due to their very quality, will with grey-green crushed velvet cushions can
age well and develop a more interesting patina be set together in a banquette style. The inlay
over time. Guestroom colour schemes of of the angular furniture has something of
grey green tones reference the multiplicity of a Biedermeier touch; wall inlays of padded
awnings and weathered copper roofs of the horsehair fabric are beautiful sound absorbers.
stalls in the market. “In Japan the food itself shines and the
EXPRESS CHECKOUT
The public spaces of the hotel are lighting is subdued,” explains Hild of a
organised around the only possible site for lighting composition that combines both
Louis Hotel
the kitchens. From the check-in desks, guests indirect and direct lighting for a Western
Viktualienmarkt 6, 80331
can immediately see across a lounge, through audience. Large, square lampshades of Munich, Germany
the restaurant to the windows overlooking stitched rice-paper-effect material are matched
Tel: +49 (0)89 411 190 8-0
www.louis-hotel.com
market. The bar occupies a somewhat difficult with discrete downlighters. In a space with an
thoroughfare to the lifts. Effectively the lounge already low ceiling, these protrude no further
and its open fireplace are the place to be, with than a service track hidden by fine rattan
„ 72 guestrooms
the bar used more as a dispensing area than weave.
‰ Emiko Japanese Restaurant
a seating zone. “We are observing how this “I am pleased with the quiet design of the  Emiko Bar, Lounge bar and terrace
area works in practice and like all our other hotel,” confides Rudi Kull, “it has a strong
[ Fitness room
concepts we are not static in our approach,” concept yet is respectful of the customer. The
+ Rooftop terrace, 100m
2
event space
explains Kull. A flexibility that saw the customer is our star, not the designer. The
Architects & Designers: Hild und K
replacement of a complete, high dividing unit, haptic sensations within the hotel provide a
Operator: Kull & Weinzierl GmbH & Co. KG
seen during an earlier construction site tour, depth to the experience, an experience that is
with a lower, more open one. “The original both near and yet also far away from the buzz
looked alright on the plan but just didn’t work of Munich.”
and needed to be changed,” states Hild.
058 MARCH / APRIL 2010
WWW.SLEEPERMAGAZINE.COM
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164