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5D colour modes and conversions
– like a whole box of film choices
L
ike using different films and processes, the only set these using the Fn (Function) button AdobeRGB settings if you intend to print using a six
Effects available on Konica Minolta digital menu when the camera is set to P/A/S/M exposure to eight ink inkjet printer or do work on the file
cameras set your own preference of contrast, modes. Normal AdobeRGB is a preset balance; using Photoshop (etc). You should not use these
saturation, and colour balance. Embed AdobeRGB allows you to also set your own settings if you intend to use a card-slot printer or
The Dynax 5D makes these choices much Contrast, Saturation and Sharpness settings for the PictBridge connection from camera to printer, or
simpler by providing ready-made colour modes. resulting .JPE file, which the camera will remember give files directly to a photo lab, or post them on
There are two ‘AdobeRGB’ choices, and you can permanently until changed. You should only use web pages. For all these purposes, sRGB is used.
Adobe RGB in-camera JPEG Dimage Master default Photoshop CS2 CR auto default
A normal unadjusted exposure, auto The .MRW raw file from this opened in The .MRW opened using Adobe Photoshop CS2
WB, Program exposure, AdobeRGB Dimage Master with any adjusted settings Camera Raw (Bridge) with all ‘Autos’ ticked
Dimage Master adjusted Photoshop CS2 CR camera WB Photoshop CS2 CR ‘Daylight’
Green skin casts from foliage removed using Auto turned off, manual adjustments made As last example, but White Balance changed to
+5R +10M -0.2 stops and -20 Contrast by eye, White Balance ‘As Shot’ (4650K +25) Daylight (5500K +10) to imitate slide film result
photoworld 20
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