These shots were all taken in around
Sirmione on Lake Garda in persistent light
rain and mist – conditions which don’t
make for good photography on film. Shirley
Kilpatrick used the 5D with a range of
lenses but, as is often best in overcast light,
preferred tele lengths from 100-200mm for
most shots, eliminating ‘white sky’ unless it
is a feature of the view. The purity of digital
colour improves conditions like this.
19 photoworld
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