photoWORLD gallery
Earn Konica Minolta film, inkjet paper & CD-R
media with your pictures
L
ight is the single most important
factor in good photography, and
our two opening spread pictures
here both show first rate use of light
– one ‘found’, the other ‘created’.
You may now enter pictures taken
on Konica equipment as well as
Minolta. You may also enter pictures
from other camera brands made on
Konica films and (if colour negative
rather than slide) processed and
printed by a Konica photofinisher,
normally a High Street mini-lab
using Konica paper and chemicals.
See the new entry rules on page 12.
Each picture used will receive a
prize of Konica Minolta supplies – E6
35mm slide film, 35mm colour nega-
tive film, inkjet paper or CD-R media.
Film entry winners will be sent films,
and digital winners will be sent
paper or CD-Rs (or both). The prize
packs are at the discretion of Konica
Minolta Photo Imaging (UK) Ltd.
As always, all entries remain your
own property and we require only
single rights use in the context of the
Photoworld Gallery pages. Slides
are returned (you must send return
p&p); prints and digital entries are
only returned if you ask for them
to be, and enclose return p&p.
Left: Tony Jones confuses the eye with
this shot of an old sea groin post, be-
cause the sunset light is so low it almost
comes from below the horizon. Dimage
A1, 1/200 at ƒ5, 180mm focal length
equivalent, ISO 100. Right: Daniel
Oi used a makeshift studio (a black
gown hung on a pair of chairs as a
backdrop), with bounced wireless flash
from a 5600HS off a Lastolite portable
reflector, a 50mm ƒ2.8 macro (f16 at
1/60th) attached to a Dynax 7D, and
manually balanced flash output trig-
gered from the camera’s built in flash.
photoworld 10
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