This page contains a Flash digital edition of a book.
FROM PREVIOUS PAGE


and vowed not to take them off until he visited all the sights his sibling would have wanted to see in and around Rome. I was so moved by this encounter, I felt compelled to share this man’s story.” Mauro recently wrote and directed a short film, In My


Brother’s Shoes, based on this chance meeting. The film’s main character, Danny—a part written for stage-screen actor Danny McCarthy—dons his brother’s combat boots and travels to Rome, where he processes his grief and better un- derstands his own capacity for sacrifice through the diverse people he randomly encounters. A crucial scene was shot just outside the JFRC’s entrance at the foot of its iconic tree. Mauro’s husband, Joe Orlandino, encouraged her to pursue screenwriting, and eventually produced the film, as part of Atlas Media Group, together with Polymyth Productions. It took several years after meeting this man for Mauro to


make the film. She was immersed in other projects. In addi- tion to her arts writing, she taught dance history at Loyola, and also taught at the Rome Center. But in 2012, Mauro was diagnosed with ovarian cancer, and her life changed. Mauro received treatment from Ronald K. Potkul, MD,


FACS, FACOG at Loyola. “He saved my life. I love this man,” Mauro says. “Loyola is pivotal in my life. I just can’t speak enough about the care and the compassion and the profes- sionalism of Dr. Potkul and the nurses and his staff.” As Mauro went through treatment and recovery, she


couldn’t stop thinking about the man she’d met in Rome. “Certain things were on hold,” Mauro says. “I couldn’t really teach at that point. My own experiences were filtering


in. I said, ‘When I get through this, I’m making this film.’ That’s what sustained me through my treatment, just thinking about it.” In spring of 2013, Mauro decided to return to Italy. “When you go through something like that—surgeries and


chemo, you get nervous about a 10-hour flight,” Mauro says. “But I needed to challenge myself. I took this trip and I was ok. I never got sick. When we travel, when we walk around and take trains, we meet people, and we will most likely never see them again, but they stick with you. That happened to me. From my own journey, I was able to build the story and other characters around Danny. The truth of the matter is that Danny is the brother of the fallen Marine, but he’s also me, moving on with my life.” Because of the subject matter of the film, and because of


her own challenges, Mauro wanted to do something beyond the movie. Proceeds from the film will benefit veterans’ orga- nizations, including the Pritzker Military Museum & Library’s Veterans Information Center, through a nonprofit, also called In My Brother’s Shoes, Mauro created. Mauro is now screening In My Brother’s Shoes and submit-


ting it to major film festivals. A screening at the Lake Shore Campus is planned for this fall. She is also working on a film about Anita Garibaldi, the wife of Italian revolutionary Giuseppe Garibaldi and a revolutionary in her own right— from the perspective of an interview with American journalist Margaret Fuller. The film was inspired by Anita’s statue on Rome’s Janiculum Hill. “We never quite know where life is going to take us,” Mau-


ro says. “Loyola and Rome have been constant influences in my life and career, and my life keeps circling back to both.”


A crucial scene in In My


Brother’s Shoes, written and directed by Lucia


Mauro (BA ‘86, JFRC ‘85), was shot just outside


the entrance of the John Felice Rome Center.


For details about the Loyola screening


or to learn more, visit Inmybrothersshoes.com.


18


LOYOLA UNIVERSITY CHICAGO


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44