This page contains a Flash digital edition of a book.
June 2014 www.tvbeurope.com


TVBEurope 37 Camera and Lighting Focus


transcoding allows live, direct- to-web content delivery. Broadcaster also provides a cost-effective way to provide multicamera coverage at an event without a production truck. Each camera feeds into and is identifi ed by the server, which provides an output signal to the station’s decoder for air. Cameras can then be switched


titling and graphics overlay; audio mixer; live streaming output; HD-SDI and HDMI outputs; and internal MPEG recording to HDD. JVC is suggesting that broadcasters can use the GW-GBLS1 at events or to cover news and record 4K internally while offering live aerial coverage in HD.


to 60p and HD at up to 240p; and a compact handheld unit (GY-LSX2) using Micro Four Thirds lenses.


Ninja recording Star The new Atomos Ninja Star is the world’s smallest ProRes recorder that should be ideal for use with PoV cameras or on remote control helicopters.


In the last year, there has been a surge in fi xed rig production with many series shot using discreet camera heads and pan/tilt/zoom cameras


live. Broadcaster also accepts and transcodes video from Android and iOS devices, so users can take live video from a reporter with a smartphone. JVC also launched the KMH- 8000 StreamSuite portable webcasting production system. Its built-in switcher supports up to four wireless IP live HD video sources, and it also supports wired cameras. It features: a 23-inch touchscreen;


Of course, there are restrictions on where UAVs can be used, but where permissions and safety procedures are in place it could offer a well-integrated way to get live aerial shots of an event while recording 4K for future use.


JVC is also developing two larger 4K cameras based on the same sensor: a shoulder-mount camera (GY-LSX1) with PL lens mount, that offers 4K at up


“Our customers screamed for a tiny, fl ash-based Apple ProRes recorder and player for extreme applications, their second location cameras or simply when they already had a monitor,” explained Jeromy Young, CEO and founder of Atomos. “At $295 with low- cost Gen 1 CFast [solid state memory cards], weighing a mere 100g, its price, durability and portability is unmatched.”


The prototype JVC GW-GBLS1 gimbal-mounted camera includes IP technology for live transmission


It has HDMI input and is small enough (8.75cmx5.75cmx2cm) to work with action cameras that record internally only in MPEG or H.264, and offer edit-ready recording with Apple ProRes.


It can capture 10-bit 4:2:2 images to inexpensive fi rst generation CFast media with up to almost three hours of Apple ProRes HQ (using a 256GB card — it also records


ProRes 422 and LT). It also features frame- accurate timecode (via HDMI) and Start/Stop Trigger, thanks to cooperation from the leading camera manufacturers (Canon, Sony, Panasonic, Nikon and JVC). Audio can be taken direct from the camera on the two embedded digital channels or an external microphone can be added via the audio line in port for an extra two channels of analogue audio. It


also has an HDMI out for use with an external monitor. The battery is promised to last for about fi ve hours, although it takes only one Sony camera battery instead of the dual battery ports seen on the bigger Ninja and Samurai recorders. www.atomos.com www.codexdigital.com www.grassvalley.com www.jvcpro.co.uk www.minicams.tv


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52