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TANGO ROMANTICA


MUSIC: Tango 4/4 TEMPO: 28 four-beat measures per minute; 112 beats per minute


COMPETITION INTRODUCTION: 32 beats, 17.1 seconds


PATTERN-TIMING: 1 = :52; 2 = 1:43; 3 = 2:35; 4 = 3:27 DURATION: Test 2 = 1:43


Competition 2 = 1:43


PATTERN: Optional TEST: International


This a romantic dance which is skated in a soft, lyrical and sinuous manner with both a soft and strong character where appropriate; however, deep edges are necessary to convey its mood.


Steps 1 to 11 are skated in closed hold. The lady places her right hand on the man’s left shoulder with their left arms extended. The introductory steps should finish with an open stroke to facilitate skating the first step of the dance that begins on the fourth beat of the measure. The man starts on a left forward outside edge with his right foot on the ice to the side; the lady starts on a right backward outside edge with her left foot on the ice to the side (both partners are on two feet during one beat). Both partners execute double three-turns with a side lift of the free leg for two beats (the “Helicopter”). Step 2 is crossed widely with both feet on the ice and the right knee bent. At the end of this step, the man skates a left forward inside edge and brings his feet together; the lady simply straightens her right knee on the first beat of the measure and brings her feet together.


On Step 5, the man executes a swing “twizzle-like” motion (“Tw 1” — his body turns one full, continuous rotation, but the skating foot does not technically execute a full turn), while his partner does a swing three completed with an open inside choctaw. During the swing, the man places his right hand on the lady’s left hip on the first beat of the measure. She covers his hand with her left and they join their free hands overhead. They skate in this hold for one beat. The man’s “twizzle-like” motion and the lady’s choctaw are performed simultaneously on the “and” between counts two and three of the measure. On Step 7 the man skates a chassé while the lady skates an open mohawk, both on the “and “ between counts four and one of the measure, followed by the one-beat LBI exit from her mohawk and his LFO.


During Step 8, the lady places her right hand on the man’s right shoulder and places her left hand behind her back to clasp the man’s right hand. Step 9 begins as a cross roll and finishes with a change of edge for both. At the end of this step, the lady performs an counterclockwise back inside twizzle of one rotation without releasing her left hand on “and” between counts two and three. On Step 10 the man’s left hand is extended while the lady’s right hand rests on his left shoulder with her left hand and his right hand joined on her left hip. The free legs cross on the first beat of the measure, and then on the second beat they close their free legs and take an outside hold. A progressive sequence leads to Step 14 when the man skates a closed mohawk and the lady skates a RFI three-turn in open hold.


The series of Steps 15 to 26 are skated very softly with bent knees and deep edges. Step 15 is skated in Reversed Kilian hold in syncopation with the rhythm of the music with the XF-LBI being held for two beats followed by a very short RBO on the “and” between beats four and one. Steps 16 to 19 are a series of cross steps skated in Kilian hold. Steps 20 to 22 are skated in Reversed Kilian hold and culminate in their matching crossed rocker turns. Steps 19 and 22 may be slightly wide stepped. Steps 23 to 25 are skated in Kilian hold. On Step 24 the partners execute a crossed inside three-turn together, then on Step 25 the man skates an open mohawk while his partner skates another inside three-turn, but not crossed this time.


Dance-112


Steps 26 and 27 are performed in closed hold on deeply bent knees. Step 28 is a four-beat cross roll of which the first two beats are performed in reversed outside hold. The lady takes the usual outside hold on the third beat (known as the “criss-cross” movement — the lady using the cross rolls to change side) and raises her right knee until the skate almost touches her left knee. At the same time, the man draws his free leg to his skating foot. The lady swings her right leg forward and crosses over the man’s right leg on the fourth beat of the measure. On Step 29, she touches the ice with her right foot and the right knee bent, left leg extended, both blades on outside edges. At the same time the man skates a LBO and quickly extends his right leg to skate a wide RBI. There are several acceptable options in the manner in which the man performs this that are used for dramatic effect. Both partners skate close together on both feet for two beats. On the third beat, she turns a three-turn that places the partners in closed hold. The man then turns a three on Step 30.


Adult Solo Dance Competition 2 = 1:43


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