A Jewel in the Landscape The weathered steel gives this simple studio fl air
By Paul Deffenbaugh, Editorial Director Brian Johnsen, AIA, and Sebastian Schmaling, AIA, LEED AP, noticed that the rural areas of Wisconsin often included old farm machinery left rusting in the fi elds as well as strong color con- trasts between the green fi elds and the surround- ing forests. The principals of Johnsen Schmaling Architects, Milwaukee, called on that vernacular when they designed this Studio for a Composer in Spring Prairie, Wis.
As judge Mark DeWalt says, “The rusted patina of this simple building is its major design statement. It softens the form and gives the studio instant char- acter.” The Cor-Ten steel envelope drapes over the building and seems to anchor it to the concrete foun- dation. At the same time, a clerestory between the two volumes resists the weight of the steel, while providing natural daylight to the storage area below. Playing further with the tension between weight and lightness, the ends of the studio feature glass en- tries and the cantilevered steel again seems to fl oat easily above the interior. Inside, the country-western musician and composer enjoys a space without dis- traction that permits him to focus solely on the music he creates. The whole building looks as if it was placed care- fully in the middle of the woods, with the concrete podium carved into the side of a hill and providing underground storage. “We work in the city and are surrounded by pastoral landscapes,” says Schmaling. “There is a great tradition of craftsmanship around us. Simple buildings, well crafted. The product of hard work and appreciation for quality. The studio is not fl ashy. Not screaming out loud. It asks you to take time and look at it.” The time to look is rewarded with the easy natu- ralness of the steel, which includes the roller marks and imperfections of the milling operation. As the steel weathers, the rust runs down to drip onto the concrete podium, blending the two materials naturally. If you were walking through the woods and came across this little 300-square-foot studio, lighted from within and blending with the forest, you would be delighted and feel that, while unique and daring, it was an essential part of the landscape.