Texas Music
TEXAS MUSIC IS AS VARIED AS THE STATE’S BEAUTIFUL LANDSCAPE, PEOPLE AND CULTURES. ITS SOUND IS DEFINED by many different styles and textures, yet all of these distinctively different genres share a common thread that weaves together the Texas music sound. What exactly is Texas music? Listen closely and you’ll hear its sound in country, rock ’n’ roll, conjunto, pop, blues, jazz, zydeco, polka and Tejano, but that’s defi nitely not all. Texas music is Willie Nelson and his brand of “out- law” country; it’s Buddy Holly’s early rockabilly sound that heavily infl uenced the Beatles; it’s Huddy “Leadbelly” Ledbetter and Blind Lemon Jefferson laying the foundation of Texas blues; it’s Narciso Martinez and Pedro Ayala leading the birth of conjunto;
TEXAS IS BIG ON TALENT
and it’s the legacy of Van Cliburn’s brilliant classical piano that continues to entertain people all over the world. With all this musi- cal royalty and global infl uence, it’s no won- der Texas boasts some of the best live music venues in the world.
AUSTIN For more than a quarter century, mu-
sicians have honed their skills in the Live Music Capital of the World. T is unassum- ing playground for established and soon- to-be-established musicians is a hub for the best in touring talent and homegrown hope- fuls. Austin is home to legendary venues
such as T e Broken Spoke, Continental Club, Stubb’s and T readgill’s, which all helped establish Austin’s musical credibility. T e two T readgill’s locations equal one
collective contribution to Austin’s music history and southern comfort food. T e original north location was key in devel- oping the music scene from 1933 through the ’60s. Owner Kenneth T readgill wel- comed an eclectic mix of performers, cre- ating a fusion of sounds and audiences. T e venue broke the color barrier when Mance Lipscomb performed here. Willie Nelson managed the seemingly impossible by get- ting “hippies and rednecks” harmoniously
in one room enjoying the same music. Aſt er T readgill closed his business, Eddie Wilson —who was operating another esteemed music venue, the Armadillo World Head- quarters in south Austin—purchased and renovated T readgill’s. He closed his Armadillo World Headquarters on New Year’s Eve of 1980, then reopened the space the very next day as a second T readgill’s location—hence its name T readgill’s Armadillo World Headquarters. It is characterized by live music and a large collection of music memorabilia. Another Austin music institution, and home to one of the hottest tickets in town,
MUSIC EVENTS
ATHENS OLD FIDDLERS’ REUNION, Athens in May
AUSTIN CITY LIMITS MUSIC FESTIVAL, Austin in October
BEST LITTLE COWBOY GATHERING IN TEXAS La Grange in March
DENTON ARTS AND JAZZ FEST Denton in April
HOUSTON EARLY MUSIC FESTIVAL, Houston in February
KERRVILLE FOLK FESTIVAL Kerrville in May-June
LEGENDS OF WESTERN SWING MUSIC FESTIVAL Wichita Falls in June
MARIACHI VARGAS EXTRAVAGANZA San Antonio in December
NATIONAL POLKA FESTIVAL Ennis in May
The Denton Arts and Jazz Festival is held in April at Denton’s Quakertown Park.
BOTH PHOTOS: MICHAEL AMADOR/TXDOT
NAVASOTA BLUES FEST Navasota in August
NORTH TEXAS IRISH FESTIVAL Dallas in February/March
OLD SETTLER’S MUSIC FESTIVAL Driftwood in April
TALL CITY BLUES FEST Midland in July
TEJANO CONJUNTO FESTIVAL San Antonio in May
TEXAS STATE CHAMPIONSHIP FIDDLERS FROLICS Hallettsville in April
SOUTH BY SOUTHWEST Austin in March
SUN CITY MUSIC FESTIVAL El Paso on Labor Day Weekend
35 DENTON Denton in March
TOMBALL TEXAS MUSIC FESTIVAL, Tomball in August
UTOPIAFEST Utopia in September
VIVA BIG BEND, Alpine, Fort Davis, Marathon, Marfa in July
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