germany
That invitation is central to his art. His sound isn’t meant to overpower but to guide, to remind listeners of the wonder within the familiar.
“Through my music, I want to take people on a kind of exploration. To show them a wider range of feelings and sounds than they might expect while still holding onto something familiar, so they don’t get lost along the way.”
This sense of exploration is tied to nostalgia, a recurring theme in his work.
“Nostalgia goes deeper than aesthe- tics,” he reflects. “It brings a real sense of comfort. It takes me back to a time when things felt more carefree, when you were a kid and the world was yours. In a way, nostalgia feels like a quiet re- bellion against the speed of the world we live in now.”
When he makes music, that nostalgia doesn’t trap him in the past; it grounds him in the present.
“When I make a track that feels nostal- gic, it actually pulls me into the moment. That familiar feeling helps me reconnect with who I am and why I create.”
COLLABORATION AND CURIOSITY
His recent collaboration with Funk Tri- bu became a turning point. The two met after Intercell, connected through shared curiosity, and soon found them- selves in a Berlin studio.
“It just clicked right away,” Vall Du Son recalls. “We ended up in the studio and something really special started to take shape.”
Working with Funk Tribu challenged him to simplify.
“One thing I learned from Eduardo is how powerful keeping things simple can be. I tend to get super excited and throw a million ideas into a track. He reminded me: just listen like you’re dancing. Don’t start tweaking one little bit over and over. Stay with the big picture first. Keep it playful.”
That openness became the foundation for their chemistry.
“I love blending orchestral textures or video game samples into club trac- ks. It never felt like we were filling each other’s gaps. It was more like we were expanding the space together.”
THE BALANCE BETWEEN CHAOS AND CALM
In his performances, Vall Du Son translates that same dialogue between risk and restraint.
“It’s all about contrast and discovery,” he explains. “It’s important to open people up to something exciting and new while still holding onto what they know, so they don’t lose themselves.”
His philosophy of energy is as emotio- nal as it is technical.
“A constant high eventually becomes a flat surface. You need those curveballs, those moments that excite and relight the fire. Without taking risks, there’s no real experience. There’s only what could have been.”
That perspective also shapes his growth outside the booth. For him, staying grounded is not a strategy but a necessity.
“A solid foundation means having a place and people that feel like home,” he says. “It’s my friends outside of music, the ones I play board games with or grab a beer with on a Thursday night. Those real, simple moments mean a lot to me.”
That foundation fuels his indepen- dence. After years of refining his sound, Vall Du Son now feels ready to take complete control of his artistic direction.
“By starting something myself, I get the freedom to release what I create wi- thout compromise. I can invite people into my home for music that explores and discovers. Something honest. So- mething real.”
MEANING OVER METRICS
As electronic music accelerates, Vall Du Son’s perspective feels refreshingly grounded. He isn’t against innovation, but he’s critical of what gets lost in the race.
“Do something wild,” he says. “Surprise yourself and the people around you. Create your own world around your story. Build experiences around it. A track can be so much more than just a WAV file.”
He believes modern music risks becoming disposable when quantity outweighs depth.
“I feel like there’s so much creativity and potential in the scene right now, but a lot of it gets filtered through audience expectations or
what works. Once artists build a fo- llowing, it can be hard to step outside of what people already associate with them. For me, the scene should stand for exploration, for artists daring to move beyond their comfort zones and not being afraid to surprise people, even with a completely different sound. I think every artist’s voice could be so much broader if we stopped worrying about fitting into a formula, a genre, a lineup, or whether a certain DJ plays your track. Let go of expectations of what has to be. Create for yourself first, and if it’s honest, people will connect with it. At some point, this letting go will click, and you start creating without pressure.”
Vall Du Son’s answer is found not in words, but in the world he’s building: a world where sound feels like memory, and memory becomes motion.
“When listeners enter my world, I want them to feel something real. I want to remind them that it’s okay to lose yourself
often where you find yourself again.” for a while. Because that’s
THE VALLEY AHEAD Vall Du Son approaches his craft with the patience of someone more inte- rested in meaning than momentum. His focus isn’t on trends or reach but on creating work that feels honest and lasting. Every track is an extension of his curiosity, a new chapter in the same story of connection and emotion. He sees music as a place to return to, a space that grows with him rather than a goal to be achieved.
That commitment to depth has set him apart in a scene that often values speed over substance. Where others chase visibility, he builds worlds that invite reflection. His strength lies in restraint, in knowing when to let a melody breathe or when to strip a track back to its essentials. It’s a mindset shaped by design, storytelling, and an instinct for emotion—the same principles that have guided him from visual art to sound.
He seems less concerned with where his career goes and more with how it evolves. His goal is continuity: to keep learning, to keep refining, to stay honest with himself and his listeners. Vall Du Son has established a fra- mework for growth that proves music, when approached with intention, can still be a space for discovery rather than repetition.
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