vall du son
Vall Du Son THE VALLEY OF SOUND
Vall Du Son’s name translates to “Valley of Sound,” but it could just as easily describe a state of mind. His world is one of emotional architecture, where nostalgia meets experimentation and sound becomes memory in motion. Behind every track lies a visual imagination that turns music into space and emotion into design. It’s not about trends or tempo, but about building universes people can step into.
This curiosity became the backbone of his identity. The Valley isn’t a metaphor; it’s a real place inside his creative process where contrasts coexist: innocence and tension, precision and emotion, past and future. For him, it’s not about playing harder or faster, but about being honest enough to listen and brave enough to keep creating from that place.
THE SOUL OF A CREATOR “I’ve always been a maker,” he says.
“Even as a kid, I was constantly creating, whether it was YouTube videos, stop motion, or VFX editing. I was fascinated by the idea of creating my own reality.”
That curiosity came long before music. Before stepping behind the decks, he studied graphic design, practiced magic and cardistry, and even launched his own Kickstarter project, Kubik Playing Cards. Every step was about shaping experiences.
“No matter the medium, I create. That need to build has never gone away. And when I look at the artists who inspire me most, it’s never just about the music. It’s about the world they build around it.”
He points to artists like Daft Punk and Deadmau5, whose ability to design mythologies around sound still shapes his vision.
“There’s a visual identity, a sense of mystery, a whole universe you step into when you engage with their work. Music is the core, but the layers around it are what make it come alive.”
“My identity isn’t something I created,” he continues. “It’s not a persona or a concept. It’s a reflection of how I experience sound and emotion. The name might sound like a place, and in a way, it is. I invite people into this space I live in, one that’s unexpected, nostalgic, and full of contrast.”
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AUTHOR: SERGIO NIÑO PHOTOGRAPHY: SANDER VAN DE VEN
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