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UEBERREST – THE SOUND
OF ISOLATION AND AWAKENING A Dual Heritage of Silence, Structure, and Emotional Inheritance
There is a certain silence that shapes a person, the kind that co- mes not from absence but from landscape.
For Ueberrest, born
Tim Werder, that silence existed in two forms. One belonged to Swit- zerland, with its deliberate order and structured rhythm of life. The other
lived in Sweden, steeped
in melancholy, creativity, and a profound musical culture passed down through generations. In the tension between these two worlds, he found his earliest compass as an artist, a place where precision could coexist with emotional depth.
His childhood unfolded in dan- ce studios, surrounded by racks of CDs that held decades of musical history and playing ice hockey for about 12 years; which made him so comfortable in the cold weather, Tim’s identity is built through Swe- dish emotion and Swiss discipline. Swedish emotionality and Swiss discipline intertwined in his envi- ronment, allowing him to observe how creativity and structure could act not as opposites but as colla- borators.
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Today, Ueberrest stands at the in- tersection of these influences, crafting a sound that is both archi- tectural and cinematic, mechanical and deeply human.
That duality remains central to the identity he continues to build. It is the background to The Sound of Isolation and Awakening, a story shaped not by a single breakthrou- gh but by a long, personal evolution. It is the story of a young artist who learned to listen to silence, to find structure in chaos, and to embra- ce the moments of internal rupture that led him toward a new begin- ning.
Where Memory Turns Into Instinct
His understanding of heritage is not a fixed memory but an ongoing internal conversation. The contrast between Sweden and Switzerland was never abstract to him. It for- med the emotional architecture of his creative mind.
“My earliest listening memories that I can remember were around the age of five. My mom used to sing for me since I was a baby… My first physical memory is of when I star- ted playing the guitar, which I did for over 8 years. I remember being horrible at reading notes of the songs I had to learn on the guitar. I just memorized what my teacher was playing, and I just repeated it.”
“It is exactly the contrast you men- tion that plays a huge role in the way I live out my artistic character… Today, creativity and precision go hand in hand for me to create music, not just fantasize about it. It is the mix that makes the magic.”
His earliest connection to sound carries a physicality that remains visible in his music. He still remembers the first sensations: his mother singing as he grew up, the hours spent in the dance stu- dio, absorbing hip-hop, rap, and electronic music. And then, the first instrument that shaped his relationship with emotion and craft.
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