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- CLirHEROEADVERnSER&lIMES-


concerta


;: Review: Alex Barnes and Anna Croad perform for CIttherde -: Concerts Society.


iv The Clitheroe Concerts Sod-; :,ety was congratulated after its Summer Concert for pre- •


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iRI’ ipr its


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: programme of chamber mu­ sic,’spanning 3”oo years, but •


; concentrating on recently .written and mainly, folk in-


: ^fluenced music. Some pieces ■ ; used electronic enhancement ^ :and a world premier started the second half. • > . The'evening started with


a very brief ACM when the Mayor of Clitheroe, Coun. :■


; Kevin Horkin, was elected as the Society’s President. '


,;, :,:.;The existing committee ■ and officers were re-elected ;


; and a brief change to the con-:


; stitution now allows the com- • ;■ mittee to appoint Honorary • 'Vice-President’s. AlexBarnes (cello) and An-,


na Croad (violin) then opened •; the concert with a selection ■


i senting such an adventurous ■ V of J. S. Bach’s Two Part Inven- ■


' .tions, setting the scene for ■ • the English composer Gra-- ham Waterhouse’s “Pas de- :


■ composer and Bluegrass fid-: dler Mark O’Connor. This has


.V been recorded by the interna- ■ tionaUy renowned cellist Yo- Yo Ma. The folk tune seemed


;< tocomeintoandoutofthemu- V sic like smoke drifting from a - camp fire. The version played - was transcribed by Alex him-; self. ,


.'Deux” (20ii);.The composer : described the music as “two -dancers, sometimes in sym- >


■ pathy and graceful, some-s times provoking each other • and jerky.” Like much of Wa-; • terhouse’s work it has folk in-. " fiuences.


; ; Even more obviously folk . '


influenced was the third-r- piece, “Appalachia;Waltz”L;-: . (1996), by American classical ;


-frFor news and l-S If (ffli'


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■ A*?>f Barnes and Anna Croad, who performed for Clitheroe Concerts S.ociety.- ' Bank KaH Works, OB Colne Road, Burnley. BB10 W (Sat Nav B8101U) •


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'; ■ Next was.“Mirrors in'the Mirror”. (Spiegel im Spiegel),


i;written in 1978 by the Estoni-;; an composer Arvo Part; Orig- •


-inally written for piano and ’ violin, and again transcribed"


! by Alex, this used electronic : sustaining on both instru­ ments, producing an ethereal sound, almost as if played by a quartet


; ■ The first half concluded k iwith a robust contrast: Mus-1 ■


-sorgsky’s “Night on a Bare Mountain’’ arranged by Alex


: from a piano version by Rim­ sky Korsakov.


v ;,. The mukc has again folk ..influences, this time from Russian tales.


;' : v; There werejust two works ' in the second half, totally con- Ttrasting, but continuing the theme. The world premier of Alex and Anna’s “Odyssea” took a slightly wry musical


■ look at the modern fashion of cruising.


were the e l- . ;


ements o f the Greek myth; the sounds of the ; sea and of seagulls and.; the.waves, but this was ’


.over a pre-recorded tape background . of the ship’s si­


ren, swing music and many-


‘ of the background distrac­ tions which come and go with


a cruise. * The exceptionally clever;


thing about the tape was that it was all composed and per­ formed by Anna and Alex, merged together to comple­ ment the live music. Quite fascinating! ; ■ The concert was conclud- ;


k edbythewonderfully tuneful " : Zoltan Kodaly “Duo Sonata”,-


• a substantial work in thre^’


; movements based on Hungar- ' > ian folk music, written in 1905 and very muchin themanner


oftraditionalchambermusic.’i The.audience of around 1


eightyrespondedenthusiasti-V : cally and during the applause, 5


Anna charmingly gave Alexa" kiss on the cheek. Thisjust seemed tosum up


a magical evening!


..i; • ■ This concert will be talked about and remembered for a very long time.


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