ENTERTAINMENT YOUNG CRITICS
YOUNG CRITICS TAKE FRONT ROW AT LICHFIELD FESTIVAL 2026
Lichfield Festival Young Critics are writers aged 11-18 who receive a special Festival pass and free tickets to selected events, take part in a writing workshop, meet artists, and more. The Young Critics’ reviews printed below are available to read in full on the Lichfield Festival website alongside many more insightful and compelling reviews.
www.lichfieldfestival.org
42 A masterclass in storytelling through song
Calming, captivating and effortlessly charming, Holly Carter’s performance at The Hub in Lichfield was a masterclass in storytelling through song. Blending stunning vocals with thoughtful, personal lyrics, Carter created an intimate atmosphere that drew the audience into every performance.
Rather than simply moving from one song to the next, Carter took the time to share the stories behind her music. Tracks including Stella, Christine and Stetson Kennedy were introduced with stories about overlooked historical figures and personal inspirations that had shaped the songs. These introductions gave each tune an added sense of purpose, allowing the audience to connect not only with the music but also with the people and ideas that inspired it.
Every song was performed with enthusiasm and heartfelt emotion. Whether singing an uplifting folk tune or a slower ballad, she maintained a genuine connection with her audience, making the evening feel both personal and memorable.
Through exceptional talent, compelling storytelling and a friendly warmth, she delivered a performance that was as thought-provoking as it was enjoyable.
Ophelia P Othello on the West Lawn of Lichfield Cathedral
Othello, performed by The Lord Chamberlain’s Men, wonderfully mimicked the kind of performance Shakespeare himself might have watched when first performed. Held on the 7th of July 2026, it was an open-air event where you could bring your own picnic blanket and chairs, and were allowed to feast as you watched the act. The stage was elevated so that everyone could see comfortably – those sitting on the grass behind the rows of chairs still had a clear, unrestricted view. Like in Shakespeare’s time, the men performed all of the roles (they even played women!), giving it a touch of heartfelt comedy as well as tragedy. Before the show, the actors welcomed everyone in and gave out programmes and tea towels, which allowed the audience to interact with them.
The audience were respectful and quiet during the performance – except for the parts, of course, when everyone had to laugh out loud. This created a peaceful atmosphere and gave the sense of a happy, shared community. Taking into account that there were only seven actors playing approximately thirteen roles, they handled costume changes and characterisation really well. It was only at the end of the play that I realised how many parts had been doubled.
Overall, the performance was spectacular and believable and I would highly recommend to audiences of any age.
Maja S
LIVE24-SEVEN.COM
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