search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
CHANGE IS not something that artist and designer Morag Myerscough particularly dreads – in fact, it seems to energise her, as the last few years have shown. Known for her colourfully exuberant works designed to create a sense of joy and belonging in those who encounter them, Myerscough has transformed her way of life with an unexpected move to the countryside. Myerscough was born in Holloway, moved to Clerkenwell, then spent 15 years living and working in Hoxton. But, in 2021, she moved to a small village in Surrey. ‘It’s totally not about wanting to live in a village in Surrey,’ she laughs. In fact, it was what a less optimistic personality might have described as making the best of things, as the difficulties of the pandemic and its aftermath made keeping a 4,000 sq ft part-commercial space in the heart of the capital unsustainable. ‘I wanted to cut down my overheads, but when I looked for a house in London with a garden there was nothing equivalent to buy. I would have had to move to something half the size and I need a lot of space to do my work.


‘I used to feel I was tied to London because of meetings, but the ease of things like Teams and Zoom have made it so much more realistic to live somewhere else. I had a cash offer on my house and the next day I saw this idyllic place in Surrey with five acres of land – it’s such a contrast! I talk a lot about belonging, and London is totally who I am and what I am. So I wouldn’t say that Surrey is where I belong, but it’s what I want right now, to live more sustainably in this house with all this space around me. ‘I don’t think I will live here forever, but I’m so glad that I made this radical, drastic change. It’s too easy to accept the same things all the time when you are older –


Profile Artist and designer Morag


Myerscough talks about how she embraces change in her life and work


when you are young you are changing all the time,’ says Myerscough, who is in her late fifties. ‘Why do we feel that need for things to be permanent? Life isn’t really about where you are, but about who you are with. I was always surrounded by people, now it’s my dog Elvis and my partner Luke and lots of trees and grass. I have solar panels and a heat pump, and I almost live off my home-grown vegetables. I wanted to experience a life that was drastically different.’


She has always cared about her environmental choices – she was an early adopter of electric vehicles, buying a G-Wiz 16 years ago when it was definitely a quirky choice (its 50 mile range, bug-eyed style and total lack of safety features won it Auto Express’s Worst Car Ever Award). But the move to the countryside has transformed her relationship with nature. ‘I seem to be quite good at


Above and right Morag Myerscough at her reimagined Roman gatehouse at Housesteads Fort on Hadrian’s Wall


ALL IMAGES: ENGLISH HERITAGE


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113