Rendering-Short Elevation


MATERIAL AUTHENTICITY: SEARCHING FOR THE MEANING OF AUTHENTICITY THROUGH WOOD IN DONG MINORITY VILLAGES, CHINA


Under the era of the image, architectural designs are aggravating toward a scenographic inclination with blind


worship of foreign architectural styles, while rampant and largely unreflective importation of Western ideas is ubiquitous to new constructions in many rural territories in China. In such circumstances, can the returning to foundations and giving prominence to materials become a possible way to go against this phenomenon?


In today’s China, the use of wood in construction has declined


drastically as a result of the emergence of modern architectural styles that promote the use of mass-produced components made of steel, glass, and concrete etc., often to achieve a sense of universal aesthetics. Wood is therefore increasingly marginalized as a low-cost, low-quality building material only utilized by the rural population. As a result, the broad range of responsibilities that the carpenter had previously held as the master builder on the job-site has also diminished. In order to lift the importance of timber industry in the Dong villages among the southern China wood markets, it is important to


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